| 000 | 03138nam a22005535i 4500 | ||
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| 001 | 224390 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234748.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 200723t20161990pau fo d z eng d | ||
| 019 | _a(OCoLC)980278035 | ||
| 020 |
_a9780812230512 _qprint |
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| 020 |
_a9781512806687 _qPDF |
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| 024 | 7 |
_a10.9783/9781512806687 _2doi |
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| 035 | _a(DE-B1597)9781512806687 | ||
| 035 | _a(DE-B1597)475157 | ||
| 035 | _a(OCoLC)979581993 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPS374.L47 | |
| 072 | 7 |
_aLIT004020 _2bisacsh |
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| 082 | 0 | 4 |
_a813.509 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSaltzman, Arthur M. _eautore |
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| 245 | 1 | 0 |
_aDesigns of Darkness in Contemporary American Fiction / _cArthur M. Saltzman. |
| 250 | _aReprint 2016 | ||
| 264 | 1 |
_aPhiladelphia : _bUniversity of Pennsylvania Press, _c[2016] |
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| 264 | 4 | _c©1990 | |
| 300 | _a1 online resource (158 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aPenn Studies in Contemporary American Fiction | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _t1. Introduction: A De-Meaning Poetics -- _t2. Epiphany and Its Discontents -- _t3. Deregulating Histories -- _t4. De(in)forming the Plot -- _t5. Opacity, Resistance, and the Uncommunicative Text -- _t6. The End of Value? -- _tNotes -- _tBibliography -- _tIndex -- _tBackmatter |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThis study examines some of the ways in which fiction has traditionally conspired to promote a goal-oriented vision of a work of art and explores the ways in which postmodern (or postrealist) fiction consistently and unavoidably subverts the clarity of this vision. Offering readings of works by well-known authors, including Barthelme, Doctorow, DeLillo and Hawkes, as well as works by lesser-known writers (Auster, Gangemi), Arthur M. Saltzman concentrates on the breakdown of epiphany in recent fiction, both as philosophical motive and structural foundation. In contemporary fiction, Saltzman contends, ambiguities blossom far beyond our capacities to stabilize, summarize or restore them to sense. The old rules of the game--in which a reader looking for Truth can expect some sort of satisfactory resolution--no longer apply. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020) | |
| 650 | 0 |
_aAmerican fiction _y20th century _xHistory and criticism. |
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| 650 | 0 | _aLight and darkness in literature. | |
| 650 | 7 |
_aLITERARY CRITICISM / American / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.9783/9781512806687 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781512806687 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781512806687.jpg |
| 942 | _cEB | ||
| 999 |
_c224390 _d224390 |
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