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008 200723t20151989pau fo d z eng d
020 _a9780812213393
_qprint
020 _a9781512814309
_qPDF
024 7 _a10.9783/9781512814309
_2doi
035 _a(DE-B1597)9781512814309
035 _a(DE-B1597)469611
035 _a(OCoLC)979837158
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS374.S4
_bB46 1988eb
072 7 _aLIT004020
_2bisacsh
082 0 4 _a813/.009/32162
_219
084 _aonline - DeGruyter
100 1 _aBender, Bert
_eautore
245 1 0 _aSea-Brothers :
_bThe Tradition of American Sea Fiction from Moby-Dick to the Present /
_cBert Bender.
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2015]
264 4 _c©1989
300 _a1 online resource (286 p.) :
_b33 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tPreface: The Sea, and the Blue Water of It --
_tAcknowledgments --
_tNote on Texts --
_tChapter 1. The Voyage in American Sea Fiction after the Pilgrim, the Acushnet, and the Beagle --
_tChapter 2. Meditation and the Life-Waters --
_tChapter 3. The Shipwrecked Soul --
_tChapter 4. The Jonah Feeling --
_tChapter 5. The Experience of Brotherhood in "The Open Boat" --
_tChapter 6. Jack London in the Tradition of American Sea Fiction --
_tChapter 7. From Sail to Steam: Sailor-Writers of the 1860s and 1870s --
_tChapter 8. From Sail to Steam: Sailor-Writers of the 1880s and 1890s --
_tChapter 9. Hemingway: Coming to the Stream --
_tChapter 10. Hemingway's Sea Men --
_tChapter 11. Peter Matthiessen and the Tradition in Modern Time --
_tChapter 12. Far Tortuga --
_tPhotographs --
_tNotes --
_tBibliography --
_tChronology --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSea-Brothers offers the most extensive analysis to date of the sea and its meaning in American literature. On the basis of his study of Melville, Crane, London, Hemingway, Matthiessen, and ten lesser-known sea-writers, Bert Bender argues that the tradition of American sea fiction did not end with the opening of the western frontier and the replacement of sailing ships by steamers. Rather, he demonstrates its continuity and vitality, identifying a central vision within the tradition and showing how particular authors draw from, transform, and contribute to it.What is most distinctive about American sea fiction, Bender contends, is its visionary, often mystical, response to the biological world and to man's perceived place in the larger universe. When Melville envisioned the sea as the essential element of life, indeed as life itself, he changed the course of American sea fiction by introducing the relevance of biological thought. But his meditations on the whale and "the ungraspable phantom of life" project a different reality from that envisioned by his successors. In American sea fiction after Melville, the influence of Origin of Species is as powerful as that of Moby Dick or the theme of sailing ships being displaced by steam.The ideal of brotherhood so central to American sea fiction was severely compromised by the biological reality of a competitive, warring nature. Twentieth-century sea fiction has continued to center on the biological world and address the possibility of democratic brotherhood, but the issues were fundamentally changed by Darwin's theories.This book will be a valuable source for students and scholars of American literature and will interest readers of sea fiction.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
650 0 _aSea stories, American
_xHistory and criticism.
650 4 _aCultural Studies.
650 4 _aLiterature.
650 7 _aLITERARY CRITICISM / American / General.
_2bisacsh
700 1 _aAngell, Tony
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9781512814309
856 4 0 _uhttps://www.degruyter.com/isbn/9781512814309
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781512814309.jpg
942 _cEB
999 _c224627
_d224627