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020 _a9781936235919
_qprint
020 _a9781618111401
_qPDF
024 7 _a10.1515/9781618111401
_2doi
035 _a(DE-B1597)9781618111401
035 _a(DE-B1597)541115
035 _a(OCoLC)860923018
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT004240
_2bisacsh
084 _aonline - DeGruyter
100 1 _aCarnicke, Sharon Marie
_eautore
245 1 0 _aChecking out Chekhov :
_bA Guide to the Plays for Actors, Directors, and Readers /
_cSharon Marie Carnicke.
264 1 _aBoston, MA :
_bAcademic Studies Press,
_c[2013]
264 4 _c©2013
300 _a1 online resource (200 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aCompanions to Russian Literature
505 0 0 _tFrontmatter --
_tTABLE OF CONTENTS --
_tBIOGRAPHY OF THE AUTHOR --
_tTO THE READER --
_tACKNOWLEGEMENTS --
_tPERMISSIONS --
_tILLUSTRATIONS --
_tTRANSLITERATIONS OF RUSSIAN WORDS, NAMES, AND TITLES OF WORKS --
_tELLIPSES AND DATES --
_tTHE USAGE OF RUSSIAN NAMES --
_tIntroduction: A Taste Like Olives --
_tChapter One: Chekhov on His Own Terms --
_tChapter Two: The Literary Soil for Chekhov’s Drama --
_tChapter Three: The Devil in the Details of Chekhov’s Plays --
_tChapter Four: Dramatic Innovations Part One: Vaudeville --
_tChapter Five: Dramatic Innovations Part Two: Melodrama --
_tChapter 6: Chekhov’s Plays as Blueprints for Performances --
_tConclusion: A Matter of Perspective --
_tAnnotated Bibliography --
_tIndex of Names, Terms, and Chekhov’s Works --
_tIndex of Character Names from Chekhov’s Major Plays
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book paints a vivid portrait of Anton Chekhov—a Russian writer whose elusive personality and richly detailed plays have left an indelible imprint upon the world’s theatre. Every page reveals the joys and difficulties of his short life, his comic sensibility, deep compassion, and often puzzling use of dramatic style and genre. Carnicke demystifies Chekhov’s plays—forged from his literary innovations, avid theatergoing, love of vaudeville, and loathing of melodrama. She interweaves biographical and cultural information with insightful case studies and close analysis to leave her reader with a full and fresh perspective on an artist who is as foundational to theatrical traditions as are Shakespeare and Stanislavsky.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 7 _aLITERARY CRITICISM / Russian & Former Soviet Union.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781618111401
856 4 0 _uhttps://www.degruyter.com/isbn/9781618111401
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781618111401/original
942 _cEB
999 _c225879
_d225879