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| 001 | 226449 | ||
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| 005 | 20221214234910.0 | ||
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| 008 | 221201t20222022xxk fo d z eng d | ||
| 020 |
_a9781641890045 _qPDF |
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| 024 | 7 |
_a10.1515/9781641890045 _2doi |
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| 035 | _a(DE-B1597)9781641890045 | ||
| 035 | _a(DE-B1597)613842 | ||
| 035 | _a(OCoLC)1291266840 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aHIS020000 _2bisacsh |
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| 082 | 0 | 4 |
_a937.6 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aLabatt, Annie Montgomery _eautore |
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| 245 | 1 | 0 |
_aByzantine Rome / _cAnnie Montgomery Labatt. |
| 264 | 1 |
_aLeeds : _bARC Humanities Press, _c[2022] |
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| 264 | 4 | _c©2022 | |
| 300 | _a1 online resource (212 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aPast Imperfect | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction: The Sensibility of a Civilization -- _tChapter 1. Imaging Christianity in Rome -- _tChapter 2. A Question of Style -- _tChapter 3. Rome in the Time of Iconoclasm -- _tChapter 4. Forms of Separation -- _tEpilogue: Old St. Peter’s as Museum and Microcosm -- _tFurther Reading -- _tAppendix: Dates of Medieval Roman Monuments |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aWhy does medieval Rome look so, for lack of a better word, Byzantine? Why do its monuments speak an aesthetic of the medieval East? And just how do we quantify that Byzantine aesthetic or even the word “Byzantine”? This book seeks to consider the ways in which the artistic styles and iconographies generally associated with the eastern medieval tradition had a life in the West and, in many cases, were just as western as they were eastern. Rome’s medieval monuments are a fundamental part of the history of the East, a history that says more about a cross- cultural exchange and interconnected “Romes” than difference and separation. Each chapter follows the political and theological relationships between the East and the West chronologically, exploring the socio-political exchanges as they manifest in the visual language of the monuments that defined the medieval landscape of Rome. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 |
_aArt, Roman _xByzantine influences. |
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| 650 | 7 |
_aHISTORY / Europe / Italy. _2bisacsh |
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| 653 | _aByzantine Art. | ||
| 653 | _aByzantium. | ||
| 653 | _aEarly Middle Ages. | ||
| 653 | _aMosaics. | ||
| 653 | _aRome. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781641890045?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781641890045 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781641890045/original |
| 942 | _cEB | ||
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_c226449 _d226449 |
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