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008 240625t20192019xxk fo d z eng d
020 _a9781641893336
_qPDF
024 7 _a10.1515/9781641893336
_2doi
035 _a(DE-B1597)9781641893336
035 _a(DE-B1597)542057
035 _a(OCoLC)1128094186
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPL2309.F8
_bF84 2019
072 7 _aLIT008010
_2bisacsh
082 0 4 _a895.11/04
_223
084 _aonline - DeGruyter
245 0 4 _aThe Fu Genre of Imperial China :
_bStudies in the Rhapsodic Imagination /
_ced. by Nicholas Morrow Williams.
264 1 _aLeeds :
_bARC Humanities Press,
_c[2019]
264 4 _c©2019
300 _a1 online resource (266 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEast Meets West: East Asia and Its Periphery from 200 BCE to 1600 CE
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPreface --
_t1. Introduction: The Rhapsodic Imagination --
_tPart One. RECITATION AND DISPLAY --
_t2. The Origins of the Term “Fu” as a Literary Genre of Recitation --
_t3. Into the New Realm of Belles Lettres: Intersections of Sevens and Song Verses in Jian’an Poetry --
_tPart Two. LYRICISM AND FORM --
_t4. The Assimilation and Dissimilation of Fu and Shi Poetry up to the Tang Dynasty --
_t5. Xu Wei’s Early Modern Rhapsodies: Catalogue and Critique, Lyricism and Logic --
_tPart Three. PHILOSOPHY AND DIALOGUE --
_t6. The Metaphysical Rhapsody of the Six Dynasties --
_t7. Argumentation and Generic Change in the Mid- Tang Fu: Li Guan’s (766– 794) “Fu on Suffering the Pitiless Rains” and the Role of the Shelun Genre --
_tPart Four. CRITIQUE AND PROTEST --
_t8. The Hidden Message of Zhang Heng’s “Contemplating the Mystery” --
_t9. A New Discourse on “Lament for the South” in the Fu of the Ming– Qing Transition --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis is the first book in English to examine the fu, one of China’s oldest and culturally central literary forms, from its origins up to the late imperial era. Fu poems are highly revealing sources for understanding the culture, society, and politics of their periods, and in this volume eleven essays by prominent scholars treat the fu from four major perspectives: its original use in court recitation; as a poetic genre with distinctive formal features; as a vehicle of philosophical inquiry; and as a major mode of political expression.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aChinese poetry
_xHistory and criticism
_vCongresses.
650 0 _aChinese poetry
_xHistory and criticism.
650 0 _aFu
_xHistory and criticism
_vCongresses.
650 0 _aFu
_xHistory and criticism.
650 7 _aLITERARY CRITICISM / Asian / Chinese.
_2bisacsh
653 _aChinese poetry.
653 _aimperial China.
653 _alate imperial Chinese literature.
653 _amedieval Chinese literature.
653 _arhapsody.
700 1 _aCheng, Yu- yu
_eautore
700 1 _aJui-lung, Su
_eautore
700 1 _aLien, Y. Edmund
_eautore
700 1 _aMorrow Williams, Nicholas
_eautore
700 1 _aNeather, Robert
_eautore
700 1 _aSchoenberger, Casey
_eautore
700 1 _aShih, Hsiang-Lin
_eautore
700 1 _aWilliams, Nicholas Morrow
_ecuratore
700 1 _aZhangcan, Cheng
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781641893336?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781641893336
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781641893336/original
942 _cEB
999 _c226508
_d226508