000			06493nam a22010455i 4500
001			226571
003			IT-RoAPU
005			20221214234915.0
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008			220302t20192019mau fo d z eng d
010			_a2019031933
020			_a9781644692387 _qprint
020			_a9781644692394 _qPDF
024	7		_a10.1515/9781644692394 _2doi
035			_a(DE-B1597)9781644692394
035			_a(DE-B1597)540934
035			_a(OCoLC)1114272510
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPG3916.2
072		7	_aLIT004110 _2bisacsh
084			_aonline - DeGruyter
100	1		_aHundorova, Tamara _eautore
245	1	4	_aThe Post-Chornobyl Library : _bUkrainian Postmodernism of the 1990s / _cTamara Hundorova.
264		1	_aBoston, MA : _bAcademic Studies Press, _c[2019]
264		4	_c©2019
300			_a1 online resource (338 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aUkrainian Studies
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tTranslator's Acknowledgements -- _tA Note on Transliteration -- _tPreface -- _tPART ONE. Chornobyl and Postmodernism -- _t1. Nuclear Discourse, or Literature after Chornobyl -- _t2. Nuclear Apocalypse and Postmodernism -- _t3. The Socialist Realist Chornobyl Discourse -- _t4. Nuclear (Non)-Representation -- _t5. Chornobyl and Virtuality -- _t6. Chornobyl and the Cultural Archive -- _t7. Chornobyl Postmodern Topography -- _t8. Chornobyl and the Crisis of Language -- _tPART TWO. Post-Totalitarian Trauma and Ukrainian Postmodernism -- _t9. Postmodernism: The Synchronization of History -- _t10. Ukrainian Postmodernism: The Historical Framework -- _t11. A Farewell to the Classic -- _t12. The "Ex-Centricity" of the Great Character -- _t13. Postmodernism and the "Cultural Organic" -- _t14. Postmodernism as Ironic Behavior -- _tPART THREE. The Postmodern Carnival -- _t15. Bu-Ba-Bu: A New Literary Formation -- _t16. The Carnivalesque Postmodern -- _t17. Yuri Andrukhovych's Carnival: A History of Self-Destruction -- _t18. After the Carnival: Bu-Ba-Bu Postmortem -- _tPART FOUR. Faces and Topoi of Ukrainian Postmodernism -- _t19. Narrative Apocalypse: Taras Prokhasko's Topographic Writing -- _t20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk -- _t21. The Grotesques of the Kyiv Underground: Dibrova- Zholdak-Podervianskyi -- _t22. Feminist Postmodernism: Oksana Zabuzhko -- _t23. Postmodern Europe: Revision, Nostalgia, and Revenge -- _t24. The Chornobyl Apocalypse of Yevhen Pashkovsky -- _t25. The Postmodern Homelessness of Serhiy Zhadan -- _t26. Volodymyr Tsybulko's Pop-Postmodernism -- _t27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky -- _tPART FIVE. Postscript -- _tA Comment from the "End of Postmodernism" -- _tA Commentary on the "End of Ukrainian Postmodernism" -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aHaving exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova's book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to "homelessness" and the repetition of "the end of histories." Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aChernobyl Nuclear Accident, Chornobylʹ, Ukraine, 1986 _xIn literature.
650		0	_aPostmodernism (Literature) _zUkraine.
650		0	_aUkrainian literature _y20th century _xHistory and criticism.
650		7	_aLITERARY CRITICISM / European / Eastern (see also Russian & Former Soviet Union). _2bisacsh
653			_aBu-Ba-Bu group.
653			_aChernobyl Nuclear Power Plant.
653			_aChernobyl disaster.
653			_aChernobyl.
653			_aChornobyl.
653			_aEast-European postmodernism.
653			_aEastern Europe.
653			_aNuclear Apocalypse.
653			_aOksana Zabuzhko.
653			_aPost-Chornobyl literature.
653			_aPost-Soviet Culture.
653			_aPostmodernism in Eastern Europe.
653			_aPripyat.
653			_aPrypyat.
653			_aRussia.
653			_aSerhiy Zhadan.
653			_aTaras Prokhasko.
653			_aUkraine.
653			_aUkrainian language.
653			_aUkrainian literature.
653			_aVolodymyr Tsybulko.
653			_aYevhen Pashkovsky.
653			_aYuri Andrukhovych.
653			_aYuriy Tarnawsky.
653			_acarnivalization.
653			_acomparative literature.
653			_ahistory.
653			_aliterary criticism.
653			_anuclear criticism.
653			_anuclear disaster.
653			_anuclear trauma.
653			_anuclear weapons.
653			_apoetry.
653			_apolitics of language.
653			_apost-Soviet Carnival.
653			_apostmodern literature.
653			_atotalitarianism.
653			_atrauma writing.
653			_awar.
653			_aworld politics.
700	1		_aYakovenko, Sergiy _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781644692394?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781644692394
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781644692394/original
942			_cEB
999			_c226571 _d226571