000			04403nam a2200853 454500
001			226580
003			IT-RoAPU
005			20250106150959.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20202020mau fo d z eng d
020			_a9781644692868 _qPDF
024	7		_a10.1515/9781644692868 _2doi
035			_a(DE-B1597)9781644692868
035			_a(DE-B1597)544475
035			_a(OCoLC)1128063772
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004240 _2bisacsh
082	0	4	_a891.73/5 _223
084			_aonline - DeGruyter
100	1		_aUffelmann, Dirk _eautore
245	1	0	_aVladimir Sorokin’s Discourses : _bA Companion / _cDirk Uffelmann.
264		1	_aBoston, MA : _bAcademic Studies Press, _c[2020]
264		4	_c©2020
300			_a1 online resource (236 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aCompanions to Russian Literature
505	0	0	_tFrontmatter -- _tTable of Contents -- _tAcknowledgments -- _tA Note on Transliteration, Translation, and Referencing -- _tDisclaimer -- _t1. Introduction: The Late Soviet Union and Moscow’s Artistic Underground -- _t2. The Queue and Collective Speech -- _t3. The Norm and Socialist Realism -- _t4. Marina’s Thirtieth Love and Dissident Narratives -- _t5. A Novel and Classical Russian Literature -- _t6. A Month in Dachau and Entangled Totalitarianisms -- _t7. Sorokin’s New Media Strategies and Civic Position in Post-Soviet Russia -- _t8. Blue Lard and Pulp Fiction -- _t9. Ice and Esoteric Fanaticism—a New Sorokin? -- _t10. Day of the Oprichnik and Political (Anti-)Utopias -- _t11. The Blizzard and Self-References of a Meta-Classic -- _t12. Manaraga and Reactionary Anti-Globalism -- _t13. Discontinuity in Continuity: Prospects -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aVladimir Sorokin is the most prominent and the most controversial contemporary Russian writer. Having emerged as a prose writer in Moscow’s artistic underground in the late 1970s and early 80s, he became visible to a broader Russian audience only in the mid-1990s, with texts shocking the moralistic expectations of traditionally minded readers by violating not only Soviet ideological taboos, but also injecting vulgar language, sex, and violence into plots that the postmodernist Sorokin borrowed from nineteenth-century literature and Socialist Realism. Sorokin became famous when the Putin youth organization burned his books in 2002 and he picked up neo-nationalist and neo-imperialist discourses in his dystopian novels of the 2000s and 2010s, making him one of the fiercest critics of Russia’s “new middle ages,” while remaining steadfast in his dismantling of foreign discourses.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		7	_aLITERARY CRITICISM / Russian & Former Soviet Union. _2bisacsh
653			_aA Month in Dachau.
653			_aA Novel.
653			_aBlue Lard.
653			_aDay of the Oprichnik.
653			_aIce.
653			_aManaraga.
653			_aMarina's Thirtieth Love.
653			_aMoscow art scene.
653			_aPutin.
653			_aRussian literature.
653			_aSocialist Realism.
653			_aThe Blizzard.
653			_aThe Norm.
653			_aThe Queue.
653			_abook burning.
653			_acensorship.
653			_acontemporary.
653			_adissidence.
653			_adystopia.
653			_amodern.
653			_aneo-imperialism.
653			_aneo-nationalism.
653			_apolitical commentary.
653			_apost-Soviet.
653			_apostmodernism.
653			_apulp fiction.
653			_asex.
653			_ataboos.
653			_atotalitarianism.
653			_aviolence.
653			_avulgar language.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781644692868?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781644692868
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781644692868/original
942			_cEB
999			_c226580 _d226580