000			04383nam a2200733 454500
001			226674
003			IT-RoAPU
005			20250106151001.0
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008			240625t20222022mau fo d z eng d
020			_a9781644697887 _qPDF
024	7		_a10.1515/9781644697887 _2doi
035			_a(DE-B1597)9781644697887
035			_a(DE-B1597)618819
035			_a(OCoLC)1285370361
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML1160 _b.S84 2022
072		7	_aMUS055000 _2bisacsh
082	0	4	_a785/.7194 _223
084			_aonline - DeGruyter
245	0	0	_aString Quartets in Beethoven’s Europe / _ced. by Nancy November.
264		1	_aBoston, MA : _bAcademic Studies Press, _c[2022]
264		4	_c©2022
300			_a1 online resource (276 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgements -- _tIntroduction -- _t1. His Master’s Voice? Ries, Reputation, and the String Quartet -- _t2. The “Middle-Period” String Quartets of Spohr and Beethoven -- _t3. Counterpoint without Anxiety? Andreas Romberg’s String Quartets Op. 2, Dedicated to Haydn -- _t4. On the Fugues in Anton Reicha’s Quatuor Scientifique: Between Tradition and Innovation -- _t5. The Other “Razumovsky” Quartets: Franz Weiss’s Op. 8 and the Formation of Vienna’s Kennerpublikum -- _t6. Hyacinthe Jadin and the Sound of Revolution: Recovering French String Quartet Aesthetics in 1790s Paris -- _t7. “One for the Rode”: The Contribution of Pierre Rode and the Quatuor Brillant to the Early Nineteenth- Century String Quartet -- _t8. A Surprise to the Ears, an Amusement for the Eyes: Compositional Strategy and Audience Response to String Quartets ca. 1800 -- _t9. The Canonization of Beethoven’s String Quartets in the Musikalisches Taschenbuch auf das Jahr 1803 -- _tContributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aString Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aString quartet _y18th century.
650		0	_aString quartet _y19th century.
650		7	_aMUSIC / Essays. _2bisacsh
653			_a.
653			_aBeethoven.
653			_aFugue.
653			_aHyacinthe Jadin.
653			_aParis.
653			_aPierre Rode.
653			_aString quartet.
653			_aVienna.
653			_aanalysis.
653			_acultural context.
653			_aquatuor brillant.
700	1		_aBadley, Allan _eautore
700	1		_aBlackmore, Callum _eautore
700	1		_aFerraguto, Mark _eautore
700	1		_aGirling, Sam _eautore
700	1		_aKoshikakezawa, Mai _eautore
700	1		_aMaruyama, Yoko _eautore
700	1		_aNovember, Nancy _eautore _ecuratore
700	1		_aSpeck, Christian _eautore
700	1		_aSutcliffe, W. Dean _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781644697887?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781644697887
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781644697887/original
942			_cEB
999			_c226674 _d226674