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001			226792
003			IT-RoAPU
005			20250106151004.0
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007			cr || ||||||||
008			240625t20202020pau fo d z eng d
020			_a9781684481958 _qPDF
024	7		_a10.36019/9781684481958 _2doi
035			_a(DE-B1597)9781684481958
035			_a(DE-B1597)563202
035			_a(OCoLC)1153982290
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT000000 _2bisacsh
082	0	4	_a823/.5093548 _223
084			_aonline - DeGruyter
100	1		_aOliver, Kathleen M. _eautore
245	1	0	_aNarrative Mourning : _bDeath and Its Relics in the Eighteenth-Century British Novel / _cKathleen M. Oliver.
264		1	_aLewisburg, PA : _bBucknell University Press, _c[2020]
264		4	_c©2020
300			_a1 online resource (220 p.) : _b7 b&w images
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTransits: Literature, Thought & Culture 1650-1850
505	0	0	_tFrontmatter -- _tCONTENTS -- _tList of Illustrations -- _tIntroduction: The Relic -- _tObjects -- _tIntroduction -- _t1 “With My Hair in Crystal”: Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson’s Clarissa (1748) -- _t2 “You Know Me Then”: The Relic versus the Real in Ann Radcliffe’s The Mysteries of Udolpho (1794) -- _tPersons -- _tIntroduction -- _t3 “All the Horrors of Friendship”: Counting the Bodies in Sarah Fielding’s The Adventures of David Simple (1744) and Volume the Last (1753) -- _t4 “It Is All for You!”: Dying for Love in Samuel Richardson’s The History of Sir Charles Grandison (1753) -- _tGhosts -- _t5 “ ’Tis at Least a Memorial for Those Who Survive”: The It-Narrator, Death Writing, and the Ghostwriter in Henry Mackenzie’s The Man of Feeling (1771) -- _tConclusion: Death and the Novel -- _tAcknowledgments -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aNarrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity’s newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph—Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho—the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aDeath in literature.
650		0	_aEnglish fiction _y18th century _xHistory and criticism.
650		0	_aManners and customs _xHistory _y18th century.
650		0	_aMourning customs in literature.
650		0	_aRelics in literature.
650		7	_aLITERARY CRITICISM / General. _2bisacsh
653			_amourning, objects of mourning, thanatology, Sarah Fielding, Henry Mackenzie, Ann Radcliffe, secular relics, secular relicts, relics in literature, death in literature, trauma in literature, hair jewelry, portraits, wax figures literature Richardson., British Novel.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.36019/9781684481958?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9781684481958
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781684481958/original
942			_cEB
999			_c226792 _d226792