| 000 | 03504nam a2200601 454500 | ||
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| 001 | 227278 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151012.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20132013nyu fo d z eng d | ||
| 010 | _a2013014894 | ||
| 020 |
_a9781782380405 _qprint |
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| 020 |
_a9781782380412 _qPDF |
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| 024 | 7 |
_a10.1515/9781782380412 _2doi |
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| 035 | _a(DE-B1597)9781782380412 | ||
| 035 | _a(DE-B1597)636160 | ||
| 035 | _a(OCoLC)859536915 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aDR2173 _b.D57 2013 |
| 072 | 7 |
_aSOC002010 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aDimova, Rozita _eautore |
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| 245 | 1 | 0 |
_aEthno-Baroque : _bMateriality, Aesthetics and Conflict in Modern-Day Macedonia / _cRozita Dimova. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2013] |
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| 264 | 4 | _c©2013 | |
| 300 | _a1 online resource (176 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIllustrations -- _tPreface -- _tAcknowledgments -- _tIntroduction: Material losses Barok style -- _tCHAPTER 1 From past necessity to contemporary friction: Negotiating minorities through migration -- _tCHAPTER 2 Lost objects, gained privileges -- _tCHAPTER 3 “Modern” masculinities: Emancipation through education -- _tCHAPTER 4 Topography of spatial and temporal ruptures: (Im)materialities of (post)socialism -- _tCHAPTER 5 The Baroque effect: Central Skopje between antiquitization and Christianization -- _tConclusion -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIn post-1991 Macedonia, Barok furniture came to represent affluence and success during a period of transition to a new market economy. This furniture marked the beginning of a larger Baroque style that influenced not only interior decorations in people’s homes but also architecture and public spaces. By tracing the signifier Baroque, the book examines the reconfiguration of hierarchical relations among (ethnic) groups, genders, and countries in a transnational context. Investigating how Baroque has come to signify larger social processes and transformations in the current rebranding of the country, the book reveals the close link between aesthetics and politics, and how ethno-national conflicts are reflected in visually appealing ornamentation. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aArchitecture, Baroque _zMacedonia. |
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| 650 | 0 |
_aEthnic conflict _zMacedonia. |
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| 650 | 0 |
_aEthnology _zMacedonia. |
|
| 650 | 0 |
_aFurniture, Baroque _zMacedonia. |
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| 650 | 0 | _aMacedonians (Ancient). | |
| 650 | 0 | _aMacedonians. | |
| 650 | 0 |
_aMaterial culture _zMacedonia. |
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| 650 | 0 | _aNational characteristics, Macedonian. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Anthropology / Cultural & Social. _2bisacsh |
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| 653 | _aCultural Studies (General), Anthropology (General), Media Studies. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781782380412 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781782380412 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781782380412/original |
| 942 | _cEB | ||
| 999 |
_c227278 _d227278 |
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