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020 _a9781782381471
_qprint
020 _a9781782381488
_qPDF
024 7 _a10.1515/9781782381488
_2doi
035 _a(DE-B1597)9781782381488
035 _a(DE-B1597)637559
035 _a(OCoLC)863670845
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER003000
_2bisacsh
082 0 4 _a793.319663
_qOCoLC
_223/eng/20230216
084 _aonline - DeGruyter
100 1 _aKringelbach, Hélène Neveu
_eautore
245 1 0 _aDance Circles :
_bMovement, Morality and Self-fashioning in Urban Senegal /
_cHélène Neveu Kringelbach.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2013]
264 4 _c©2013
300 _a1 online resource (252 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aDance and Performance Studies ;
_v5
505 0 0 _tFrontmatter --
_tContents --
_tFigures --
_tAbbreviations --
_tAcknowledgements --
_tIntroduction: The Shifting Faces of Dance --
_tChapter 1 Cosmopolitan Performing Arts in Twentieth- Century Senegal --
_tChapter 2 A City across Waters --
_tChapter 3 Drums, Sand and Persons --
_tChapter 4 Images of a Mobile Youth --
_tChapter 5 The Politics of Neo-Traditional Performance --
_tChapter 6 Senegalese ‘Contemporary Dance’ and Global Arts Circuits --
_tChapter 7 Contemporary Trajectories --
_tChapter 8 Movement, Imagination and Self-Fashioning --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSenegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aDance companies
_zSenegal.
650 0 _aDance
_zSenegal.
650 0 _aPerforming arts
_zSenegal.
650 7 _aPERFORMING ARTS / Dance / General.
_2bisacsh
653 _aPerformance Studies, Anthropology (General).
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781782381488
856 4 0 _uhttps://www.degruyter.com/isbn/9781782381488
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781782381488/original
942 _cEB
999 _c227289
_d227289