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020 _a9781845453152
_qprint
020 _a9781782382041
_qPDF
024 7 _a10.1515/9781782382041
_2doi
035 _a(DE-B1597)9781782382041
035 _a(DE-B1597)637570
035 _a(OCoLC)1046990704
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aBH301.E8
_b.A378 2007
072 7 _aPER000000
_2bisacsh
082 0 4 _a111/.85
_222
084 _aonline - DeGruyter
245 0 0 _aAesthetics in Performance :
_bFormations of Symbolic Construction and Experience /
_ced. by Angela Hobart, Bruce Kapferer.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2005]
264 4 _c©2005
300 _a1 online resource (252 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tILLUSTRATIONS --
_tACKNOWLEDGEMENTS --
_tINTRODUCTION The Aesthetics of Symbolic Construction and Experience --
_tChapter One MAKING GROWN MEN WEEP --
_tChapter Two THE BUZZ OF GOD AND THE CLICK OF DELIGHT --
_tChapter Three SONGS OF LOVE, IMAGES OF MEMORY --
_tChapter Four THE HINDU TEMPLE AND THE AESTHETICS OF THE IMAGINARY --
_tChapter Five WHERE DIVINE HORSEMEN RIDE Trance Dancing in West Africa --
_tChapter Six SORCERY AND THE BEAUTIFUL ADiscourse on the Aesthetics of Ritual --
_tChapter Seven TRANSFORMATION AND AESTHETICS IN BALINESE MASKED PERFORMANCES— RANGDA AND BARONG --
_tChapter Eight ACONCISE REFLECTION ON THE BRAZILIAN CARNIVAL --
_tChapter Nine BUREAUCRATIC LOGIC, BUREAUCRATIC AESTHETICS The Opening Event of Holocaust Martyrs and Heroes Remembrance Day in Israel --
_tChapter Ten COMPASSION FOR ANIMALS, INDIFFERENCE TO HUMANS Non- and Misperceptions among Circus Audiences in 1970s Britain --
_tCONTRIBUTORS --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn various ways, the essays presented in this volume explore the structures and aesthetic possibilities of music, dance and dramatic representation in ritual and theatrical situations in a diversity of ethnographic contexts in Europe, the Americas, Africa and Asia. Each essay enters into a discussion of the “logic” of aesthetic processes exploring their social and political and symbolic import. The aim is above all to explore the way artistic and aesthetic practices in performance produce and structure experience.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aAesthetics.
650 0 _aExperience.
650 0 _aPerforming arts
_xPhilosophy.
650 0 _aRitual.
650 0 _aSymbolism.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
653 _aPerformance Studies, Anthropology (General), Cultural Studies (General).
700 1 _aBastin, Rohan
_eautore
700 1 _aBeeman, William O.
_eautore
700 1 _aCarmeli, Yoram S.
_eautore
700 1 _aDaMatta, Roberto
_eautore
700 1 _aFriedson, Steven M.
_eautore
700 1 _aHandelman, Don
_eautore
700 1 _aHobart, Angela
_eautore
_ecuratore
700 1 _aKapferer, Bruce
_eautore
_ecuratore
700 1 _aKersenboom, Saskia
_eautore
700 1 _aShulman, David
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781782382041?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781782382041
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781782382041/original
942 _cEB
999 _c227328
_d227328