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001 227360
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008 240625t20142014nyu fo d z eng d
010 _a2013023314
020 _a9781782382782
_qprint
020 _a9781782382799
_qPDF
024 7 _a10.1515/9781782382799
_2doi
035 _a(DE-B1597)9781782382799
035 _a(DE-B1597)636171
035 _a(OCoLC)1350570468
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPN1995
_b.C3415 2014
050 4 _aPN1995
072 7 _aPER004030
_2bisacsh
082 0 4 _a791.43612
084 _aonline - DeGruyter
100 1 _aCampora, Matthew
_eautore
245 1 0 _aSubjective Realist Cinema :
_bFrom Expressionism to ‹i›Inception‹/i› /
_cMatthew Campora.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2014]
264 4 _c©2014
300 _a1 online resource (160 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgments --
_tIntroduction --
_tChapter 1. Complex Narratives --
_tChapter 2. Two Trajectories of the Cinema of Attractions --
_tChapter 3. Subjective Realism and Multiform Narratives --
_tChapter 4. Mulholland Drive --
_tChapter 5. Memento --
_tChapter 6. Eternal Sunshine of the Spotless Mind --
_tConclusion --
_tFilmography --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSubjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aMotion pictures
_xPhilosophy.
650 0 _aRealism in motion pictures.
650 0 _aSubjectivity in motion pictures.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
653 _aFilm and Television Studies.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781782382799
856 4 0 _uhttps://www.degruyter.com/isbn/9781782382799
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781782382799/original
942 _cEB
999 _c227360
_d227360