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| 001 | 227410 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151018.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240625t20142014nyu fo d z eng d | ||
| 020 | _a9781782384335 _qprint | ||
| 020 | _a9781782384342 _qPDF | ||
| 024 | 7 | _a10.1515/9781782384342 _2doi | |
| 035 | _a(DE-B1597)9781782384342 | ||
| 035 | _a(DE-B1597)637384 | ||
| 035 | _a(OCoLC)954716946 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 072 | 7 | _aSOC036000 _2bisacsh | |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 | _aThe Power of Death : _bContemporary Reflections on Death in Western Society / _ced. by Maria-José Blanco, Ricarda Vidal. | 
| 264 | 1 | _aNew York ; _aOxford : _bBerghahn Books, _c[2014] | |
| 264 | 4 | _c©2014 | |
| 300 | _a1 online resource (272 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tIllustrations -- _tNotes on contributors -- _tIntroduction -- _tPart I: Death in Society -- _t1 Life Extension, Immortality and the Patient Voice -- _t2 Beyond ‘mourning and melancholia’ -- _t3 War and requiem compositions in the twentieth century -- _tPart II: Death in Literature -- _t4 Understanding Death/Writing Bereavement: The Writer’s Experience -- _t5 A Way of Sorrows for the Twentieth Century: Margherita Guidacci’s La Via Crucis dell’umanità -- _t6 From Self-Erasure to Self-Affirmation: Communally Acknowledged ‘Good Death’ in Ernest Gaines’s A Lesson Before Dying -- _t7 Habeas Corpse: The Dead Body of Evidence in John Grisham’s The Client -- _t8 The Fascination with Torture and Death in Twenty-first-Century Crime Fiction -- _tPart III: Death in Visual Culture -- _t9 The Power of Negative Creation – Why Art by Serial Killers Sells -- _t10 Screening the Dying Individual: Film, Mortality and the Ethics of Spectatorship -- _t11 The Broken Body as Spectacle: Looking at Death and Injury in Sport -- _t12 Death on Display: The Ideological Function of the Mummies of the World Exhibit -- _tPart IV: Cemeteries and Funerals -- _t13 The Romanian Carnival of Death and the Merry Cemetery of Săpânţa -- _t14 In the dead of night: A Nocturnal Exploration of Heterotopia in the Graveyard -- _t15 Scenarios of Death in Contexts of Mobility: Guineans and Bangladeshis in Lisbon -- _t16 Karaoke Death: Intertextuality in Active Euthanasia Practices -- _tPart V: Personal Reflections on Death -- _t17 Death is Not What it Used to Be: A Comparison between Customs of Death in the UK and Spain. Changes in the Last Thirty-Five Years -- _t18 The Dad Project -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThe social and cultural changes of the last century have transformed death from an everyday fact to something hidden from view. Shifting between the practical and the theoretical, the professional and the intimate, the real and the fictitious, this collection of essays explores the continued power of death over our lives. It examines the idea and experience of death from an interdisciplinary perspective, including studies of changing burial customs throughout Europe; an account of a“dying party” in the Netherlands; examinations of the fascination with violent death in crime fiction and the phenomenon of serial killer art; analyses of death and bereavement in poetry, fiction, and autobiography; and a look at audience reactions to depictions of death on screen. By studying and considering how death is thought about in the contemporary era, we might restore the natural place it has in our lives. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 7 | _aSOCIAL SCIENCE / Death & Dying. _2bisacsh | |
| 653 | _aCultural Studies (General), Sociology, Literary Studies. | ||
| 700 | 1 | _aBanwell, Julia _eautore | |
| 700 | 1 | _aBlaine, Diana York _eautore | |
| 700 | 1 | _aBlanco, Maria-José _eautore _ecuratore | |
| 700 | 1 | _aCap-Bun, Marina _eautore | |
| 700 | 1 | _aCrisu, Corina _eautore | |
| 700 | 1 | _aDavid, Eleanor _eautore | |
| 700 | 1 | _aDeering, Bel _eautore | |
| 700 | 1 | _aHorne, John _eautore | |
| 700 | 1 | _aIsla, Lala _eautore | |
| 700 | 1 | _aIuliano, Fiorenzo _eautore | |
| 700 | 1 | _aJenkins, Catherine _eautore | |
| 700 | 1 | _aLushet, Natasha _eautore | |
| 700 | 1 | _aMapril, José _eautore | |
| 700 | 1 | _aMarx, Wolfgang _eautore | |
| 700 | 1 | _aSaraiva, Clara _eautore | |
| 700 | 1 | _aShillabeer, Rebecca _eautore | |
| 700 | 1 | _aSimpson, Lynne M. _eautore | |
| 700 | 1 | _aVidal, Ricarda _eautore _ecuratore | |
| 700 | 1 | _aam, Briony _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781782384342 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781782384342 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781782384342/original | 
| 942 | _cEB | ||
| 999 | _c227410 _d227410 | ||