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020 _a9781782386421
_qprint
020 _a9781782386438
_qPDF
024 7 _a10.1515/9781782386438
_2doi
035 _a(DE-B1597)9781782386438
035 _a(DE-B1597)636183
035 _a(OCoLC)910935006
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
084 _aonline - DeGruyter
245 0 0 _aMarxism and Film Activism :
_bScreening Alternative Worlds /
_ced. by Lars Kristensen, Ewa Mazierska.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2015]
264 4 _c©2015
300 _a1 online resource (290 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tList of Figures --
_tIntroduction --
_tPart I. Past Activism --
_tChapter 1. Between Socialist Modernization and Cinematic Modernism: the Revolutionary Politics of Aesthetics of Medvedkin’s Cinema-Train --
_tChapter 2. Politics and Aesthetics within Godard’s Cinema --
_tChapter 3. Marker, Activism and Melancholy: Reflections on the Radical ’60s in the Later Films of Chris Marker --
_tChapter 4. Marx Immemorial: Workers and Peasants in the Cinema of Jean-Marie Straub and Danièle Huillet --
_tChapter 5. In the Heat of the Factory: the Global Fires of The Hour of the Furnaces --
_tPart II. Present Activism --
_tChapter 6. Contemporary Political Cinema: the Impossibility of Passivity --
_tChapter 7. Cultural Resistance through Film: the Case of Palestinian Cinema --
_tChapter 8. The Contemporary Landscape of Video-Activism in Britain --
_tChapter 9. Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement --
_tChapter 10. Swallowing Time: On the Immaterial Labour of the Video Blogger --
_tChapter 11. Recovering the Future: Marxism and Film Audiences --
_tNotes on Contributors --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn Theses on Feuerbach, Marx writes, “The philosophers have only interpreted the world differently; the point is to change it.” This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics through their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, and Jean-Luc Godard, to recent media such as 5 Broken Cameras (2010), the phenomena of video-blogging, and bicycle activism films.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
653 _aFilm and Television Studies.
700 1 _aBarker, Martin
_eautore
700 1 _aBresheeth, Haim
_eautore
700 1 _aBrown, William
_eautore
700 1 _aChanan, Michael
_eautore
700 1 _aKear, Jon
_eautore
700 1 _aKirn, Gal
_eautore
700 1 _aKristensen, Lars
_eautore
_ecuratore
700 1 _aMazierska, Ewa
_eautore
_ecuratore
700 1 _aPresence, Steve
_eautore
700 1 _aRamos-Martinez, Manuel
_eautore
700 1 _aSpencer, Jeremy
_eautore
700 1 _aWilliams, Bruce
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781782386438?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781782386438
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781782386438/original
942 _cEB
999 _c227490
_d227490