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001 227877
003 IT-RoAPU
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008 240625t19961996nyu fo d z eng d
020 _a9781571819017
_qprint
020 _a9781785330476
_qPDF
024 7 _a10.1515/9781785330476
_2doi
035 _a(DE-B1597)9781785330476
035 _a(DE-B1597)636480
035 _a(OCoLC)1347246864
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER011000
_2bisacsh
082 0 4 _a792.094
084 _aonline - DeGruyter
245 0 0 _aFascism and Theatre :
_bComparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945 /
_ced. by Günter Berghaus.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[1996]
264 4 _c©1996
300 _a1 online resource (304 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tIntroduction --
_t1. Staging the Nation’s Rebirth --
_t2. The Cultural Politics of Fascist Governments --
_t3. The Ritual Core of Fascist Theatre --
_t4. The Theatre of Politics in Fascist Italy --
_t5. The Organisation, Fascistisation and Management of Theatre in Italy, 1925-1943 --
_t6. Theatre Politics of the Mussolini Régime and Their Influence on Fascist Drama --
_t7. Mussolini’s ‘Theatre of the Masses’ --
_t8. Censorship in Nazi Germany --
_t9. The Municipal Theatre in Frankfurt-on-the-Main --
_t10. The Orchestration of the National Community --
_t11. The Theatre Aesthetics of the Falange --
_t12. Theatre and Falangism at the Beginning of the Franco Régime --
_t13. Competing Together in Fascist Europe --
_t14. Jacques Copeau and ‘Popular Theatre’ in Vichy France --
_t15. Towards an Aesthetic of Fascist Opera --
_tBibliography --
_tIllustrations --
_tNotes on Contributors --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSince the 1920s, an endless flow of studies has analyzed the political systems of fascism, theseizure of power, the nature of the regimes, the atrocities committed, and, finally, the wars waged against other countries. However, much less attention has been paid to the strategies of persuasion employed by the regimes to win over the masses for their cause. Among these, fascist propaganda has traditionally been seen as the key means of influencing public opinion. Only recently has the "fascination with Fascism" become a topic of enquiry that has also formed the guiding interest of this volume: it offers, for the first time, a comparative analysis of the forms and functions of theater in countries governed by fascist or para-fascist regimes. By examining a wide spectrum of theatrical manifestations in a number of States with a varying degree of fascistization, these studies establish some of the similarities and differences between the theatrical cultures of several cultures in the interwar period.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aFascism and theater
_zItaly
_xHistory
_y20th century.
650 0 _aFascism and theater
_zSpain
_xHistory
_y20th century.
650 0 _aNational socialism and theater
_zGermany
_xHistory
_y20th century.
650 0 _aNational socialism and theater.
650 7 _aPERFORMING ARTS / Theater / General.
_2bisacsh
653 _aPerformance Studies, History: World War II, Literary Studies.
700 1 _aAdded, Serge
_eautore
700 1 _aBerghaus, Günter
_eautore
_ecuratore
700 1 _aCavallo, Pietro
_eautore
700 1 _aGentile, Emilio
_eautore
700 1 _aGriffin, Roger
_eautore
700 1 _aKühnl, Reinhard
_eautore
700 1 _aLevi, Erik
_eautore
700 1 _aLinares, Francisco
_eautore
700 1 _aLondon, John
_eautore
700 1 _aPanse, Barbara
_eautore
700 1 _aSchültke, Bettina
_eautore
700 1 _aThamer, Hans-Ulrich
_eautore
700 1 _aThompson, Doug
_eautore
700 1 _aVerdone, Mario
_eautore
700 1 _aWahnón, Sultana
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781785330476
856 4 0 _uhttps://www.degruyter.com/isbn/9781785330476
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781785330476/original
942 _cEB
999 _c227877
_d227877