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008 240625t20162016nyu fo d z eng d
020 _a9781785331121
_qprint
020 _a9781785331138
_qPDF
024 7 _a10.1515/9781785331138
_2doi
035 _a(DE-B1597)9781785331138
035 _a(DE-B1597)637538
035 _a(OCoLC)960163804
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER010030
_2bisacsh
082 0 4 _a791.409
_222/ger
084 _aonline - DeGruyter
245 0 0 _aGerman Television :
_bHistorical and Theoretical Perspectives /
_ced. by Robert Shandley, Larson Powell.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2016]
264 4 _c©2016
300 _a1 online resource (242 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Europa ;
_v19
505 0 0 _tFrontmatter --
_tCONTENTS --
_tList of Figures and Tables --
_tIntroduction. German Television: Culture, Technology, or Cultural Technology? --
_tPart I. Technical Prehistory and Theoretical Approaches --
_t1. The Third Image: Contingencies and Ruptures in the Technological History of Television --
_t2. Boredom, War, and Paradox: German Theories of Television --
_tPart II. GDR Television --
_t3. “Just Like in the West, Except Diff erent”: Television and Its Relationship to Film in the Context of 1950s GDR Development --
_t4. Adventures in Stagnation: Gott fried Kolditz’s Unfi lmed Project Zimtpiraten --
_tPart III. Television in the Federal Republic: Auteurist TV --
_t5. “A Challenge, Maybe the Greatest for a Filmmaker”: Televisual Perspectives on Rainer Werner Fassbinder’s Martha (1974) --
_t6. Nah am Fern: Kluge TV --
_tPart IV. Present and Future Perspectives --
_t7. Television History in Germany: Media-Political and Media-Ethical Aspects --
_t8. Germany as TV Show Import Market --
_t9. Heritage, Heimat, and German Historical “Event Television”: Nico Hofmann’s teamWorx --
_t10. Once Upon a Crime: Tatort, Germany’s Longest Running Police Procedural --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aLong overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 7 _aPERFORMING ARTS / Television / History & Criticism.
_2bisacsh
653 _aFilm and Television Studies, Media Studies.
700 1 _aBeutelschmidt, Thomas
_eautore
700 1 _aCooke, Paul
_eautore
700 1 _aGöbel-Stolz, Bärbel
_eautore
700 1 _aHagen, Wolfgang
_eautore
700 1 _aHarris, Stefanie
_eautore
700 1 _aMikos, Lothar
_eautore
700 1 _aPowell, Larson
_eautore
_ecuratore
700 1 _aPrager, Brad
_eautore
700 1 _aShandley, Robert
_eautore
_ecuratore
700 1 _aSteinmetz, Rüdiger
_eautore
700 1 _aTorner, Evan
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781785331138?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781785331138
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781785331138/original
942 _cEB
999 _c227908
_d227908