| 000 | 03251nam a2200577 454500 | ||
|---|---|---|---|
| 001 | 228083 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151040.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20172017nyu fo d z eng d | ||
| 020 | _a9781785336355 _qprint | ||
| 020 | _a9781785336362 _qPDF | ||
| 024 | 7 | _a10.1515/9781785336362 _2doi | |
| 035 | _a(DE-B1597)9781785336362 | ||
| 035 | _a(DE-B1597)636470 | ||
| 035 | _a(OCoLC)1303484036 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aGV1796.C145 _bG66 2017 | |
| 072 | 7 | _aPER021000 _2bisacsh | |
| 082 | 0 | 4 | _a792.80981 _223 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aVarela, Sergio González _eautore | |
| 245 | 1 | 0 | _aPower in Practice : _bThe Pragmatic Anthropology of Afro-Brazilian Capoeira / _cSergio González Varela. | 
| 264 | 1 | _aNew York ; _aOxford : _bBerghahn Books, _c[2017] | |
| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (182 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tIllustrations -- _tAcknowledgments -- _tPreface -- _tIntroduction -- _tCHAPTER 1 The Fight for Recognition: A Brief History of Capoeira Angola in Salvador, Bahia, Brazil -- _tCHAPTER 2 Capoeira Angola in Its Own Right -- _tCHAPTER 3 Cosmological Bodies -- _tCHAPTER 4 Mandinga: The Creation of Powerful Persons -- _tCHAPTER 5 Playful Violence and the Ambiguity of Deception -- _tCHAPTER 6 How Musical Instruments Become Persons: The Power of Materiality -- _tEpilogue -- _tReferences -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aConsidering the concept of power in capoeira, an Afro-Brazilian ritual art form, Varela describes ethnographically the importance that capoeira leaders (mestres) have in the social configuration of a style called Angola in Bahia, Brazil. He analyzes how individual power is essential for an understanding of the modern history of capoeira, and for the themes of embodiment, play, cosmology, and ritual action. The book also emphasizes the great significance that creativity and aesthetic expression have for capoeira’s practice and performance. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aBlack people _zBrazil _xSocial life and customs. | |
| 650 | 0 | _aBlacks _zBrazil _xSocial life and customs. | |
| 650 | 0 | _aCapoeira (Dance) _xAnthropological aspects. | |
| 650 | 0 | _aCapoeira (Dance). | |
| 650 | 0 | _aDance _xAnthropological aspects _zBrazil _zBahia (State). | |
| 650 | 0 | _aMartial arts _zBrazil _xHistory. | |
| 650 | 7 | _aPERFORMING ARTS / Dance / Regional & Ethnic. _2bisacsh | |
| 653 | _aAnthropology (General), Performance Studies. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781785336362?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781785336362 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781785336362/original | 
| 942 | _cEB | ||
| 999 | _c228083 _d228083 | ||