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| 001 | 228116 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151041.0 | ||
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| 008 | 240625t20182018nyu fo d z eng d | ||
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_a9781785337284 _qprint |
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| 020 |
_a9781785337291 _qPDF |
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| 024 | 7 |
_a10.1515/9781785337291 _2doi |
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| 035 | _a(DE-B1597)9781785337291 | ||
| 035 | _a(DE-B1597)635978 | ||
| 035 | _a(OCoLC)1023522655 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aTR73 | |
| 072 | 7 |
_aHIS014000 _2bisacsh |
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| 082 | 0 | 4 |
_a770.0943 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Ethics of Seeing : _bPhotography and Twentieth-Century German History / _ced. by Jennifer Evans, Stefan-Ludwig Hoffmann, Paul Betts. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (306 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aStudies in German History ; _v21 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tIntroduction. Photography as an Ethics of Seeing -- _t1. Thoughts on Photography and the Practice of History -- _t2. Seeing the ‘Savage’ and the Suspension of Time -- _t3. The ‘Face of War’ in Weimar Visual Culture -- _t4. Documenting Heimkehr -- _t5. Visible Trophies of War -- _t6. Gazing at Ruins -- _t7. Edmund Kesting’s Polyphonic Portraits, and the Abstract Face of the Socialist Self in East Germany -- _t8. Seeing Subjectivity -- _t9. Photographing Reurbanization in West Berlin, 1977–84 -- _t10. The Diversification of East Germany’s Visual Culture -- _t11. The Intimacy of Revolution: 1989 in Pictures -- _tEpilogue. Hope Flies; Death Dances -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThroughout Germany’s tumultuous twentieth century, photography was an indispensable form of documentation. Whether acting as artists, witnesses, or reformers, both professional and amateur photographers chronicled social worlds through successive periods of radical upheaval. The Ethics of Seeing brings together an international group of scholars to explore the complex relationship between the visual and the historic in German history. Emphasizing the transformation of the visual arena and the ways in which ordinary people made sense of world events, these revealing case studies illustrate photography’s multilayered role as a new form of representation, a means to subjective experience, and a fresh mode of narrating the past. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aBundesrepublik. | |
| 650 | 0 | _aDDR. | |
| 650 | 0 | _aDeutschland. | |
| 650 | 0 | _aEthik. | |
| 650 | 0 | _aFotographie. | |
| 650 | 0 | _aGeschichte. | |
| 650 | 0 | _aPhotography in historiography. | |
| 650 | 0 |
_aPhotography _xMoral and ethical aspects _zGermany _xHistory _y20th century. |
|
| 650 | 0 |
_aPhotography _zGermany _xHistory _y20th century. |
|
| 650 | 7 |
_aHISTORY / Europe / Germany. _2bisacsh |
|
| 653 | _aactivist. | ||
| 653 | _aaesthetics. | ||
| 653 | _aamateur. | ||
| 653 | _aamerica. | ||
| 653 | _aart. | ||
| 653 | _aberlin. | ||
| 653 | _acensorship. | ||
| 653 | _acommunity. | ||
| 653 | _aconcentration camps. | ||
| 653 | _aculture. | ||
| 653 | _ademocracy. | ||
| 653 | _adiary. | ||
| 653 | _adocumentary. | ||
| 653 | _aethics. | ||
| 653 | _aethnic. | ||
| 653 | _aeuropean history. | ||
| 653 | _aeveryday. | ||
| 653 | _aexhibition. | ||
| 653 | _agerman studies. | ||
| 653 | _agermany. | ||
| 653 | _agovernment. | ||
| 653 | _ahistorian. | ||
| 653 | _aholocaust. | ||
| 653 | _ajennifer evans. | ||
| 653 | _amilitary. | ||
| 653 | _anazi. | ||
| 653 | _apaul betts. | ||
| 653 | _aphotography. | ||
| 653 | _apolitical. | ||
| 653 | _aportrait. | ||
| 653 | _aprofessional. | ||
| 653 | _arepresentation. | ||
| 653 | _arevolution. | ||
| 653 | _ascholarly. | ||
| 653 | _asocialist. | ||
| 653 | _asociety. | ||
| 653 | _astefan ludwig hoffmann. | ||
| 653 | _avisual. | ||
| 653 | _awartime. | ||
| 700 | 1 |
_aBetts, Paul _eautore _ecuratore |
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| 700 | 1 |
_aEdwards, Elizabeth _eautore |
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| 700 | 1 |
_aEvans, Jennifer _eautore _ecuratore |
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| 700 | 1 |
_aHamelin, Candice M. _eautore |
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| 700 | 1 |
_aHarvey, Elizabeth _eautore |
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| 700 | 1 |
_aHoffmann, Stefan-Ludwig _eautore _ecuratore |
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| 700 | 1 |
_aJames, Sarah E. _eautore |
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| 700 | 1 |
_aRamsbrock, Annelie _eautore |
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| 700 | 1 |
_aRoss, Anna _eautore |
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| 700 | 1 |
_aSiebrecht, Claudia _eautore |
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| 700 | 1 |
_aThomas, Julia Adeney _eautore |
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| 700 | 1 |
_aTorrie, Julia _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781785337291?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781785337291 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781785337291/original |
| 942 | _cEB | ||
| 999 |
_c228116 _d228116 |
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