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_aCurating Live Arts : _bCritical Perspectives, Essays, and Conversations on Theory and Practice / _ced. by Jane Gabriels, Véronique Hudon, Dena Davida, Marc Pronovost. |
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_aNew York ; _aOxford : _bBerghahn Books, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (382 p.) | ||
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_atext _btxt _2rdacontent |
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_tFrontmatter -- _tContents -- _tIllustrations -- _tPROLOGUE Bethinking One’s Own Strengths: The Performative Potential of Curating -- _tAcknowledgments -- _tA Collective Introduction -- _tA NOTE ON CURATORIAL STATEMENTS A Third Space: Chasing the Intangible -- _tPART I Historical Framings -- _tCHAPTER 1 From Content to Context: The Emergence of the Performance Curator -- _tPRACTICAL SPACE Curiosity and Intuition -- _tCHAPTER 2 Exhibiting Performances: Process and Valorization in When Attitudes Become Forms—Bern 1969 / Venice 2013 -- _tCHAPTER 3 Can We Curate Dance without Making a Festival? On Dance Curatorship and Its Shifting Borders -- _tCHAPTER 4 Curating Performance from Africa on International Stages: Thoughts on Artistic Categories and Critical Discourse -- _tPRACTICAL SPACE Untitled -- _tCHAPTER 5 The Curating Nation: Emergence of Performance Curation in Singapore and Its Impact on Cultural Politics -- _tCHAPTER 6 The Curatorial Chronotope -- _tPRACTICAL SPACE Layers -- _tCHAPTER 7 More Weirdness, More Joy: Performance Curation and Pedagogy at Danspace Project and the Institute for Curatorial Practice in Performance -- _tPART II Ethical Proposals -- _tCHAPTER 8 Dancing the Museum -- _tCHAPTER 9 Curatorial Discourse and Equity: Tensions in Contemporary Dance Presenting in the United States -- _tPRACTICAL SPACE Holy Motor—a Mechanical Metaphor Surrounding the Live Arts Curator -- _tCHAPTER 10 Noticing the Feedback: A Proposal to the Contemporary Dance Field, and/or This Revolution Will Be Crowdsourced -- _tCHAPTER 11 Email to a Curator: An Introduction to The Curators’ Piece -- _tPRACTICAL SPACE Curating Liveness -- _tCHAPTER 12 Curation as a Form of Artistic Practice: Context as a New Work through UK-based Forest Fringe -- _tPART III The Artist-Curators -- _tCHAPTER 13 The Artist-Curator, or the Philosophy of “Do-It-Yourself” -- _tEMBODIED SPACE “Soft-Curation,” Pollination, and Rhizomes -- _tCHAPTER 14 Being in the Vanguard of Sensibility: Artists as Curators in Performing Arts— a Study of Collective Affect -- _tCHAPTER 15 Familias: Artist-Activist Curation in the South Bronx, New York -- _tCHAPTER 16 What We Talk About When We Talk About Curating the “Unexpected” -- _tEMBODIED SPACE Greater Than -- _tCHAPTER 17 Because I Love Art, I Want Art to Be Different: The Project Perverse Curating and a Few Things I’ve Learned from It -- _tCHAPTER 18 Making Stage: Contemporary Dance and Performance Curation in the Caribbean -- _tEMBODIED SPACE As We -- _tCHAPTER 19 The Work of the Musician-Curator in Relation to the “Concert Scenario” -- _tCHAPTER 20 Pseudo-, Anti-, and Total Dance: A Self-Interview on Curation -- _tCHAPTER 21 Collective Creation and Improvised Curation: A Discussion with Body Slam -- _tPART IV Exhibition as Events -- _tCHAPTER 22 A New Kind of Critical Elsewhere -- _tCHAPTER 23 Re-enact History? Performing the Archive! -- _tCHAPTER 24 Choreographing Archives, Curating Choreographers: Yvonne Rainer, Xavier Le Roy, and the Dance Retrospective -- _tEMBODIED SPACE THE TITLE AS THE CURATOR’S ART PIECE -- _tCHAPTER 25 Exhibiting Dance, Performing Objects: Cultural Mediation in the Museum -- _tCHAPTER 26 The Curator’s Work: Stories and Experiences from Tino Sehgal’s Events -- _tPART V Artivism -- _tCHAPTER 27 Framing a Network, Charting Dis/Courses: Performance Curation, Community Work, and the Logic/Anxieties of an Emerging Field -- _tETHICAL SPACE Curate -- _tCHAPTER 28 Food=Need: Constraints, Reflexivity, and Community Performance -- _tCHAPTER 29 ARC.HIVE of Contemporary Arab Performing Arts: Memory, Catastrophe, Resistance, and Oblivion -- _tCHAPTER 30 Collective Walks / Spaces of Contestation: Site-Specifi city, Community Involvement, and Mobility Employed as Curatorial Strategies in the Creation of Participatory Performances -- _tCHAPTER 31 Sound Citizen: Curating Sound Art in the Distributed Public Sphere -- _tETHICAL SPACE Curation as a Practice of Radical Care: A Defi nition -- _tPART VI Institutional Reinventions -- _tCHAPTER 32 Rethinking the Role of Institutions and Curators in a New Interdisciplinary Age -- _tC HAPTER 33 The Curator as a Culture Producer -- _tETHICAL SPACE Definition of Curation -- _tCHAPTER 34 How to Build a Manifesto for the Future of a Festival “Festivals as Thinking Entities,” a Conversation with Judith Blackenberg, Daniel Blanga-Gubbay, Silvia Bottiroli, and Livia Andrea Piazza, initiated by Silvia Bottiroli and Berno Odo Polze -- _tCHAPTER 35 The Curatorial Gesture as a Decolonial Gesture -- _tETHICAL SPACE Proposing Intervals— Curating as Choreography -- _tCHAPTER 36 Are You Not Entertained? Curating Performance within the Institution -- _tCHAPTER 37 Bodies in Museums: Institutional Practices and Politics -- _tETHICAL SPACE Curating History, Curating Resistance -- _tCHAPTER 38 What Can Contemporary Art Perform? And Then Transgress? -- _tEPILOGUE Situation Critical: What Comes Next for the Field of Performance Curation? -- _tETHICAL SPACE The Parable of the Curator MICHEL HERRERIA (DRAWING) AND JEAN-PAUL RATHIER (TEXT) -- _tIndex |
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_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aSituated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field’s characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms—not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aPerforming arts archives. | |
| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh |
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| 653 | _aLive Arts, Performance, Performance Studies, Art, Dance, Theatre, Museology, Music. | ||
| 700 | 1 |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781785339646?locatt=mode:legacy |
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