| 000 | 03334nam a2200649 454500 | ||
|---|---|---|---|
| 001 | 228452 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151055.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20192019nyu fo d z eng d | ||
| 020 | _a9781789202670 _qprint | ||
| 020 | _a9781789202687 _qPDF | ||
| 024 | 7 | _a10.1515/9781789202687 _2doi | |
| 035 | _a(DE-B1597)9781789202687 | ||
| 035 | _a(DE-B1597)636572 | ||
| 035 | _a(OCoLC)1347246886 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aML3918.R37 | |
| 072 | 7 | _aMUS031000 _2bisacsh | |
| 082 | 0 | 4 | _a782.4216490952 _223/eng | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aArmstrong, Andrew B. _eautore | |
| 245 | 1 | 0 | _a24 Bars to Kill : _bHip Hop, Aspiration, and Japan's Social Margins / _cAndrew B. Armstrong. | 
| 264 | 1 | _aNew York ; _aOxford : _bBerghahn Books, _c[2019] | |
| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (204 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aDance and Performance Studies ; _v14 | |
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tFigures -- _tAcknowledgments -- _tNote on Language -- _tA Hip-Hop Introduction to Other Japans -- _tChapter 1. Down in the Ghetto -- _tChapter 2. Hypermasculinity and Ghetto/Gangsta Authenticity -- _tChapter 3. Represent JP Koreans! Ethnic Identity in Zainichi Hip Hop -- _tChapter 4. Rapping for the Nation -- _tAfterword -- _tReferences -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aThe most clearly identifiable and popular form of Japanese hip-hop, “ghetto” or “gangsta” music has much in common with its corresponding American subgenres, including its portrayal of life on the margins, confrontational style, and aspirational “rags-to-riches” narratives. Contrary to depictions of an ethnically and economically homogeneous Japan, gangsta J-hop gives voice to the suffering, deprivation, and social exclusion experienced by many modern Japanese. 24 Bars to Kill offers a fascinating ethnographic account of this music as well as the subculture around it, showing how gangsta hip-hop arises from widespread dissatisfaction and malaise. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aCrime _zJapan. | |
| 650 | 0 | _aGangs _zJapan. | |
| 650 | 0 | _aGangsta rap (Music) _zJapan _xHistory and criticism. | |
| 650 | 0 | _aRap (Music) _xSocial aspects _zJapan. | |
| 650 | 0 | _aRap (Music) _zJapan _xHistory and criticism. | |
| 650 | 0 | _aWorking class _zJapan. | |
| 650 | 0 | _aWorking poor _zJapan. | |
| 650 | 7 | _aMUSIC / Genres & Styles / Rap & Hip Hop. _2bisacsh | |
| 653 | _aAnarchy. | ||
| 653 | _aJapan. | ||
| 653 | _aJapanese Hip-Hop. | ||
| 653 | _aJapanese Neighborhoods. | ||
| 653 | _aShingo Nishinari. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781789202687?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781789202687 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781789202687/original | 
| 942 | _cEB | ||
| 999 | _c228452 _d228452 | ||