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001			228768
003			IT-RoAPU
005			20250106151116.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20212021nyu fo d z eng d
019			_a(OCoLC)1269094102
020			_a9781800731721 _qprint
020			_a9781800731738 _qPDF
024	7		_a10.1515/9781800731738 _2doi
035			_a(DE-B1597)9781800731738
035			_a(DE-B1597)636546
035			_a(OCoLC)1399976295
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1995.9.I49
072		7	_aSOC062000 _2bisacsh
082	0	4	_a820.9/35299915 _223/eng
084			_aonline - DeGruyter
100	1		_aTeichler, Hanna _eautore
245	1	0	_aCarnivalizing Reconciliation : _bContemporary Australian and Canadian Literature and Film beyond the Victim Paradigm / _cHanna Teichler.
264		1	_aNew York ; _aOxford : _bBerghahn Books, _c[2021]
264		4	_c©2021
300			_a1 online resource (274 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aWorlds of Memory ; _v8
505	0	0	_tFrontmatter -- _tCONTENTS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION Carnivalizing Reconciliation -- _tChapter 1 JUSTICE THROUGH STORYTELLING? Australian and Canadian Reconciliation and the Victim Paradigm -- _tChapter 2 CARNIVALIZING RECONCILIATION Beyond the Victim Paradigm -- _tChapter 3 BEYOND THE PARTISAN DIVIDE Transcultural Recalibrations of National Myths in Joseph Boyden’s Three Day Road and Gail Jones’s Sorry -- _tCh apter 4 “DOUBLE VISIONS” Intimate Enemies and Magic Figures in Kim Scott’s Benang and Tomson Highway’s Kiss of the Fur Queen -- _tChapter 5 FROM VICTIMOLOGY TO EMPOWERMENT? Zacharias Kunuk’s Atanarjuat and Baz Luhrmann’s Australia -- _tCONCLUSION Fictions of Reconciliation -- _tBIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aTransitional justice and national inquiries may be the most established means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that the pitfalls and promises of reconciliation are laid bare. This book analyzes, within the realms of literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is problematic, reproducing simplistic narratives and identities defined by victimization. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aAustralian literature _y21st century _xHistory and criticism.
650		0	_aCanadian literature _y21st century _xHistory and criticism.
650		0	_aIndigenous peoples in literature.
650		0	_aIndigenous peoples in motion pictures.
650		0	_aMemory in literature.
650		0	_aMemory in motion pictures.
650		0	_aMotion pictures _zAustralia _xHistory _y21st century.
650		0	_aMotion pictures _zCanada _xHistory _y21st century.
650		0	_aVictims in literature.
650		0	_aVictims in motion pictures.
650		0	_aVictims _xIn motion pictures.
650		7	_aSOCIAL SCIENCE / Indigenous Studies. _2bisacsh
653			_aMemory Studies, Literary Studies, Film and Television Studies.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781800731738
856	4	0	_uhttps://www.degruyter.com/isbn/9781800731738
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781800731738/original
942			_cEB
999			_c228768 _d228768