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001 228786
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008 240625t20212021nyu fo d z eng d
020 _a9781800732414
_qprint
020 _a9781800732421
_qPDF
024 7 _a10.1515/9781800732421
_2doi
035 _a(DE-B1597)9781800732421
035 _a(DE-B1597)636493
035 _a(OCoLC)1273982386
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER018000
_2bisacsh
082 0 4 _a791.4302/33092
_223
084 _aonline - DeGruyter
100 1 _aGrlić, Rajko
_eautore
245 1 0 _aOne More for the Road :
_bA Director’s Notes on Exile, Family, and Film /
_cRajko Grlić.
264 1 _aNew York ;
_aOxford :
_bBerghahn Books,
_c[2021]
264 4 _c©2021
300 _a1 online resource (346 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tINTRODUCTION Rajko Grlić and Cadences of Reality --
_tPREFACE --
_tLexicon of Untold Tales --
_tA --
_tB --
_tC --
_tD --
_tE --
_tF --
_tG --
_tJ --
_tL --
_tM --
_tN --
_tO --
_tP --
_tR --
_tS --
_tT --
_tW --
_tWORKS BY RAJKO GRLIĆ --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aRecounts the life and career of Croatian filmmaker Rajko Grlić in the form of a lexicon of film terms tied to anecdotes spanning Grlić’s life. “I read a lot this year. Old, new, borrowed, blue. This was the best. The paradox of reading something so avidly that you can’t put it down and then I got to the last 20 pages slowing down to a snail’s pace and reading so slowly so that it wouldn’t be over so quickly.”—Mike Downey, European Film Academy From his post-Nazi-era childhood in Yugoslavia to his college years during the 1968 invasion of Prague, the Yugoslav dissolution wars, and his subsequent exile in the United States, these personal stories combine to provide insight into socialist film industries, contextualizing south Slavic film while also highlighting its contacts with Western filmmakers and film industry. From the introduction by Aida Vidan: The one hundred and seventy-seven film terms provide sometimes a direct and at other times a metaphoric path to Grlić’s stories and concurrently serve as a self-referential mechanism to comment on a series of film attributes. The entries can be read in any order, allowing for the reader’s own “montage” of the book’s universe…. Grlić adroitly captures the absurdities and paradoxes in one’s life resulting from the sort of tectonic shifts with which East European history abounds.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aMotion picture producers and directors
_zCroatia
_vBiography.
650 7 _aPERFORMING ARTS / Individual Director (see also BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts).
_2bisacsh
653 _aCroatia.
653 _aCroatian film.
653 _aRajko Grlić.
653 _aSlavic film.
653 _aYugoslavia.
653 _abiography.
653 _acultureal studies.
653 _adirectors.
653 _aeuropean film.
653 _afilm directors.
653 _afilm studies.
653 _afilm theory.
653 _afilmmakers.
653 _ascreenwriting.
653 _aslavic studies.
700 1 _aVidan, Aida
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781800732421
856 4 0 _uhttps://www.degruyter.com/isbn/9781800732421
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781800732421/original
942 _cEB
999 _c228786
_d228786