000			05839nam a2200745 454500
001			229096
003			IT-RoAPU
005			20250106151127.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20102010nyu fo d z eng d
020			_a9781845457495 _qprint
020			_a9781845458553 _qPDF
024	7		_a10.1515/9781845458553 _2doi
035			_a(DE-B1597)9781845458553
035			_a(DE-B1597)636638
035			_a(OCoLC)732958409
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004000 _2bisacsh
082	0	4	_a791.43750944
084			_aonline - DeGruyter
245	0	0	_aJe T’Aime. Moi Non Plus : _bFranco-British Cinematic Relations / _ced. by Catherine Wheatley, Lucy Mazdon.
264		1	_aNew York ; _aOxford : _bBerghahn Books, _c[2010]
264		4	_c©2010
300			_a1 online resource (300 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tList of Tables -- _tAcknowledgements -- _tIntroduction. Franco-British Cinematic Relations: An Overview -- _tPart I: Industry and Institutions -- _t1 The Exhibition, Distribution and Reception of French Films in Great Britain during the 1930s -- _t2 The ‘Cinematization’ of Sound Cinema in Britain and the Dubbing into French of Hitchcock’sWaltzes from Vienna (1934) -- _t3 Une Entente Cordiale? – A Brief History of the Anglo-French Film Coproduction Agreement, 1965–1979 -- _t4 Channel-crossing Festivals: The Cases of the French Film Festival U.K. and Dinard’s Festival du Film Britannique -- _t5 The Language of Love? How the French Sold Lady Chatterley’s Lover (Back) to British Audiences -- _tPart II: Reception and Perceptions -- _t6 Disciplining the Nouvelle Vague: Censoring A Bout de Souffle and Other Early French New Wave Films (1956–1962) -- _t7 The Reception of the Nouvelle Vague in Britain -- _t8 ‘New Waves, New Publics?’: The Nouvelle Vague, French Stars and British Cinema -- _t9 Mirror Image: French Reflections of British Cinema -- _t10 ‘Incredibly French’?: Nation as an Interpretative Context for Extreme Cinema -- _t11 British Audiences and 1990s French New Realism: La Vie Rêvée des Anges as Cinematic Slum Tourism -- _tPart III: Personnel and Performance -- _t12 ‘The Meaning of That French Word Chic’: Annabella’s Franco-British Stardom -- _t13 ‘Those Frenchies Seek Him Everywhere’: David Niven in Franco-British Cinematic Relations -- _t14 Truffaut in London -- _t15 Jane Birkin: From English Rose to French Icon -- _t16 The French Resistance Through British Eyes: From ’Allo ’Allo! to Charlotte Gray -- _t17 ‘In the Ghetto’: Space, Race and Marginalization in French and British ‘Urban’ Films La Haine and Bullet Boy -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aA series of limiting definitions have tended to delineate the Franco-British cinematic relationship. As this collection of essays reveals, there is much more to it than simple oppositions between British critical esteem for the films of France and French dismissal of ‘le cinéma British’, or the success of Ken Loach et al. at the French box office and the relative dearth of French movies on British screens. In fact, there has long been a rich and productive dialogue between these two cultures in which both their clear differences and their shared concerns have played a vital role. This book provides an overview of the history of these relations from the early days of sound cinema to the present day. The chapters, written by leading experts in the history of French, British and European cinema, provide insights into relations between French and British cinematic cultures at the level of production, exhibition and distribution, reception, representation and personnel. The book features a diverse range of studies, including: the exhibition of French cinema in Britain in the 1930s, contemporary ‘extreme’ French cinema, stars such as Annabella, David Niven and Jane Birkin and the French Resistance on British screens.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aMotion pictures _zFrance _xHistory _y20th century.
650		0	_aMotion pictures _zGreat Britain _xHistory _y20th century.
650		0	_aMotion pictures, British _zFrance.
650		0	_aMotion pictures, French _zGreat Britain.
650		7	_aPERFORMING ARTS / Film & Video / General. _2bisacsh
653			_aFilm and Television Studies.
700	1		_aBiltereyst, Daniel _eautore
700	1		_aChristie, Ian _eautore
700	1		_aDriskell, Jonathan _eautore
700	1		_aJohnston, Cristina _eautore
700	1		_aMazdon, Lucy _eautore _ecuratore
700	1		_aMorrissey, Jim _eautore
700	1		_aMurphy, Robert _eautore
700	1		_aNowell-Smith, Geoffrey _eautore
700	1		_aO’Brien, Charles _eautore
700	1		_aPorter, Vincent _eautore
700	1		_aRenaud, Cécile _eautore
700	1		_aSelfe, Melanie _eautore
700	1		_aSmith, Justin _eautore
700	1		_aStigsdotter, Ingrid _eautore
700	1		_aStreet, Sarah _eautore
700	1		_aVincendeau, Ginette _eautore
700	1		_aWheatley, Catherine _eautore _ecuratore
700	1		_aWimmer, Leila _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781845458553
856	4	0	_uhttps://www.degruyter.com/isbn/9781845458553
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781845458553/original
942			_cEB
999			_c229096 _d229096