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| 001 | 229105 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106151128.0 | ||
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| 008 | 240625t20082008nyu fo d z eng d | ||
| 020 |
_a9781845454241 _qprint |
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| 020 |
_a9781845458652 _qPDF |
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_a10.1515/9781845458652 _2doi |
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| 035 | _a(DE-B1597)9781845458652 | ||
| 035 | _a(DE-B1597)636603 | ||
| 035 | _a(OCoLC)647933218 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aHIS010000 _2bisacsh |
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| 082 | 0 | 4 |
_a940.072 _222 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aNarrating the Nation : _bRepresentations in History, Media and the Arts / _ced. by Stefan Berger, Andrew Mycock, Linas Eriksonas. |
| 264 | 1 |
_aNew York ; _aOxford : _bBerghahn Books, _c[2008] |
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| 264 | 4 | _c©2008 | |
| 300 | _a1 online resource (352 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 |
_aMaking Sense of History ; _v11 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tIntroduction: Narrating the Nation: Historiography and Other Genres -- _tPart I. Scientific Approaches to National Narratives -- _t1. Historical Representation, Identity, Allegiance -- _t2. Drawing the Line: ‘Scientific’ History between Myth-making and Myth-breaking -- _t3. National Histories: Prospects for Critique and Narrative -- _tPart II. Narrating the Nation as Literature -- _t4. Fiction as a Mediator in National Remembrance -- _t5. The Institutionalisation and Nationalisation of Literature in Nineteenth-century Europe -- _t6. Towards the Genre of Popular National History: Walter Scott after Waterloo -- _t7. Families, Phantoms and the Discourse of ‘Generations’ as a Politics of the Past: Problems of Provenance: Rejecting and Longing for Origins -- _tPart III: Narrating the Nation as Film -- _t8. Sold Globally – Remembered Locally: Holocaust Cinema and the Construction of Collective Identities in Europe and the US -- _t9. Cannes 1956/1979: Riviera Reflections on Nationalism and Cinema -- _tPart IV: Narrating the Nation as Art and Music -- _t10. From Discourse to Representation: ‘Austrian Memory’ in Public Space -- _t11. Personifying the Past: National and European History in the Fine and Applied Arts in the Age of Nationalism -- _t12. The Nation in Song -- _tPart V: Non-European Perspectives on Nation and Narration -- _t13. ‘People’s History’ in North America: Agency, Ideology, Epistemology -- _t14. The Configuration of Orient and Occident in the Global Chain of National Histories: Writing National Histories in Northeast Asia -- _tNotes on Contributors -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aA sustained and systematic study of the construction, erosion and reconstruction of national histories across a wide variety of states is highly topical and extremely relevant in the context of the accelerating processes of Europeanization and globalization. However, as demonstrated in this volume, histories have not, of course, only been written by professional historians. Drawing on studies from a number of different European nation states, the contributors to this volume present a systematic exploration, of the representation of the national paradigm. In doing so, they contextualize the European experience in a more global framework by providing comparative perspectives on the national histories in the Far East and North America. As such, they expose the complex variables and diverse actors that lie behind the narration of a nation. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aArts, European. | |
| 650 | 0 |
_aNationalism and historiography _zEurope. |
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| 650 | 0 |
_aNationalism and the arts _zEurope. |
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| 650 | 7 |
_aHISTORY / Europe / General. _2bisacsh |
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| 653 | _aHistory (General), Media Studies, Literary Studies, Film and Television Studies. | ||
| 700 | 1 |
_aBerger, Stefan _eautore _ecuratore |
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| 700 | 1 |
_aBevir, Mark _eautore |
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| 700 | 1 |
_aBohlman, Philip V. _eautore |
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| 700 | 1 |
_aEriksonas, Linas _eautore _ecuratore |
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| 700 | 1 |
_aFrey, Hugo _eautore |
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| 700 | 1 |
_aKansteiner, Wulf _eautore |
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| 700 | 1 |
_aLim, Jie-Hyun _eautore |
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| 700 | 1 |
_aLorenz, Chris _eautore |
|
| 700 | 1 |
_aMegill, Allan _eautore |
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| 700 | 1 |
_aMycock, Andrew _ecuratore |
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| 700 | 1 |
_aNeubauer, John _eautore |
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| 700 | 1 |
_aRigney, Ann _eautore |
|
| 700 | 1 |
_aSeixas, Peter _eautore |
|
| 700 | 1 |
_aUhl, Heidemarie _eautore |
|
| 700 | 1 |
_aWeigel, Sigrid _eautore |
|
| 700 | 1 |
_aWintle, Michael _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781845458652 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781845458652 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781845458652/original |
| 942 | _cEB | ||
| 999 |
_c229105 _d229105 |
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