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006 m|||||o||d||||||||
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008 221201t20122012enk fo d z eng d
020 _a9781847697103
_qprint
020 _a9781847697110
_qPDF
024 7 _a10.21832/9781847697110
_2doi
035 _a(DE-B1597)9781847697110
035 _a(DE-B1597)491476
035 _a(OCoLC)808341497
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPE1404
_b.C75 2012
072 7 _aLAN005000
_2bisacsh
082 0 4 _a808.042071
_a808/.042071
084 _aonline - DeGruyter
245 0 0 _aTheCreativity Market :
_bCreative Writing in the 21st Century /
_ced. by Dominique Hecq.
264 1 _aBristol ;
_aBlue Ridge Summit :
_bMultilingual Matters,
_c[2012]
264 4 _c©2012
300 _a1 online resource (240 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aNew Writing Viewpoints
505 0 0 _tFrontmatter --
_tContents --
_tContributors --
_tAcknowledgements --
_tIn Lieu of a Preface --
_tIntroduction --
_t1. Creative Writing: The Ghost, the University and the Future --
_t2. Banking on Creativity: My Brilliant? Career --
_t3. Creativity and the Marketplace --
_t4. The Publishing Paradigm: Commercialism versus Creativity --
_t5. As Good As It Gets? National Research Evaluations --
_t6. Creative Writing, Neo-Liberalism and the Literary Paradigm --
_t7. Nothing is Free in this Life --
_t8. The Ghost in the Machine: Creative Writing and its Malcontents --
_t9. Creativity, Compromise and Waking Up with the Funding Devil --
_t10. Entering the Fictitious: A Play in Two Acts --
_t11. Using the Spectrum to Theorise Apparent Opposition in Creative Writing Doctorates --
_t12. Outlying the Point that Tips: Bridging Academia and Business --
_t13. Selling It: Creative Writing and the Public Good --
_t14. On the Commercialisation of Creativity in the Merlion State --
_tAfterword: Creativity, the Market and the Globalisation Challenge --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book focuses on creative writing both as a subject in universities and beyond academia, with chapters arranged around three organising sub-themes of practice, research and pedagogy. It explores the ‘creative’ component of creative writing in the globalised marketplace, making the point that creative writing occurs in and around universities throughout the world. It examines the convergence of education, globalisation and economic discourses at the intersection of the university sector and creative industries, and foregrounds the competing interests at the core of creativity as it appears in the neo-liberal global discourse in which writers are enmeshed. The book offers case studies from the UK, the USA, Canada, Australia and Singapore that are indicative of the challenges faced by academics, postgraduate students and creative industry professionals around the world.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aCreative writing
_xStudy and teaching.
650 7 _aLANGUAGE ARTS & DISCIPLINES / Writing / General.
_2bisacsh
700 1 _aEdmonds, Phillip
_eautore
700 1 _aFisher, Jeremy
_eautore
700 1 _aHarper, Graeme
_eautore
700 1 _aHarris, Mike
_eautore
700 1 _aHecq, Dominique
_eautore
_ecuratore
700 1 _aLappas, Christopher
_eautore
700 1 _aMcKenzie, Vahri
_eautore
700 1 _aMorris, Robyn
_eautore
700 1 _aPont, Antonia
_eautore
700 1 _aRadia, Pavlina
_eautore
700 1 _aSingh, Kirpal
_eautore
700 1 _aSparrow, Jeff
_eautore
700 1 _aTurcotte, Gerry
_eautore
700 1 _aValles, Eric Tinsay
_eautore
700 1 _aVernon, Thom
_eautore
700 1 _aWebb, Jen
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.21832/9781847697110
856 4 0 _uhttps://www.degruyter.com/isbn/9781847697110
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781847697110/original
942 _cEB
999 _c229355
_d229355