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| 001 | 230009 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214235134.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 210526t20202020nju fo d z eng d | ||
| 010 | _a2019040027 | ||
| 020 |
_a9781978814738 _qPDF |
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| 024 | 7 |
_a10.36019/9781978814738 _2doi |
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| 035 | _a(DE-B1597)9781978814738 | ||
| 035 | _a(DE-B1597)567629 | ||
| 035 | _a(OCoLC)1179049501 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPN1995.9.D57 _bS56 2020 |
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_aE185.97.B26 _bA3 2020 |
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_aPER000000 _2bisacsh |
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| 082 | 0 | 4 |
_a323.092 _aB _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSinwell, Sarah E.S. _eautore |
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| 245 | 1 | 0 |
_aIndie Cinema Online / _cSarah E.S. Sinwell. |
| 264 | 1 |
_aNew Brunswick, NJ : _bRutgers University Press, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 |
_a1 online resource (186 p.) : _bNone |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction: (Re)Defining Independent Cinema in an Era of Convergence -- _t1. Indie via Instant Viewing: Now Streaming on Netflix and Hulu -- _t2. Simultaneous Release Strategies: Soderbergh and the Screening Room -- _t3. DIY Distribution: YouTube, Four Eyed Monsters, and Girl Walks into a Bar -- _t4. The Fourth Screen: Sundance, Shorts, and Cell Phones -- _tConclusion: The Future of Indie Cinema Online -- _tAcknowledgments -- _tNotes -- _tBibliography -- _tMediagraphy -- _tIndex -- _tAbout the Author |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIndie Cinema Online investigates the changing nature of contemporary American independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyzes sites such as SundanceTV, YouTube, Netflix, Hulu, and other online spaces as a means of redefining independent cinema in a digital era. Analyzing the intersections among cinema studies, cultural studies, and new media studies within contemporary convergence culture, author Sarah E.S. Sinwell looks at sites of media convergence that are often ignored within most studies of digital media. Emphasizing the ways in which the forms and technologies of media culture have changed during the age of convergence, this book analyzes contemporary production, distribution, and exhibition practices as a means of examining the changing meanings of independent cinema within digital culture. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021) | |
| 650 | 0 |
_aAfrican American women _vBiography. |
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| 650 | 0 |
_aDigital media _xInfluence. |
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| 650 | 0 |
_aMotion pictures _xDistrbution. |
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| 650 | 0 |
_aMotion pictures _xProduction and direction. |
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| 650 | 0 |
_aMotion pictures _xTechnological innovations. |
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| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.36019/9781978814738 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781978814738 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/cover/covers/9781978814738.jpg |
| 942 | _cEB | ||
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_c230009 _d230009 |
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