| 000 | 13786nam a22016695i 4500 | ||
|---|---|---|---|
| 001 | 230849 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182520.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230228t20162016sz fo d z eng d | ||
| 019 | _a(OCoLC)1002233658 | ||
| 019 | _a(OCoLC)1004868141 | ||
| 019 | _a(OCoLC)1011439587 | ||
| 019 | _a(OCoLC)979598219 | ||
| 019 | _a(OCoLC)999360186 | ||
| 020 | _a9783990434406 _qprint | ||
| 020 | _a9783035612189 _qPDF | ||
| 024 | 7 | _a10.1515/9783035612189 _2doi | |
| 035 | _a(DE-B1597)9783035612189 | ||
| 035 | _a(DE-B1597)474790 | ||
| 035 | _a(OCoLC)966464119 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aNA2310 | |
| 072 | 7 | _aARC009000 _2bisacsh | |
| 082 | 0 | 4 | _81p _a700 _qDE-101 | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | _aStudio Prix : _bUniversity of Applied Arts Vienna 1990–2011 / _ced. by Klaus Bollinger, Roswitha Janowski-Fritsch, Anja Jonkhans, Baerbel Mueller, IoA Institute of Architecture. | 
| 264 | 1 | _aBasel : _bBirkhäuser, _c[2016] | |
| 264 | 4 | _c©2016 | |
| 300 | _a1 online resource (416 p.) : _b1.700 color illustr. | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aEdition Angewandte , _x1866-248X | |
| 505 | 0 | 0 | _tFrontmatter -- _tPreface -- _tSemester Kick-Off -- _tReviews -- _tSpace Mold -- _tSwimming Objects -- _tNew Angewandte -- _tSchöne Neue Welt -- _tSympathy for The Wolf -- _tUrban Planning Study “Wien Mitte” -- _tCityshape -- _tMovi(e)ng Perception -- _tHelioscoping -- _tThe New Wien Museum -- _tSubstitute Matrix -- _tSetting New Standards -- _tQuasi-Crystal -- _tAcoustic Presence -- _tSchool of Architecture / Wien Museum -- _t1st Prize “Experimental Tendencies in Architecture” -- _tZürich Kosmos -- _tSonic Tower -- _tMnemonic Code -- _tToxic Garden -- _tDepartment Store -- _tCross Over Library -- _tLaboratory of Biodiversity -- _tLooped Container -- _tThe Roof -- _tThe Passion of Working in Architecture -- _tHow to Become a Star -- _tAs Architects, We Organize Function and We Design Space -- _tUrban Hall Vienna Nordbahnhof Area -- _tBath House-Sophiensäle -- _tThe Teacher -- _tThe Artist as a Teacher – Exploratory, Investigative Teaching and Learning Through Untrodden Paths with Clear References -- _tLaboratory of Future Architecture -- _tNew Crowned Hope -- _t[PRI]X = • 7 • -- _tHotel Industrial New Vienna Central Station -- _tRailway Station of Future Transistorial Buildings (ÖBB) -- _tWorkshop with Helmut Swiczinsky -- _tCommunicator #2 -- _tFuture Living Kika Wien Nord -- _tApartment Building Gaudenzdorfer Gürtel -- _tHappy Department Store Hannes Stiefel, Urs Bette -- _tGasometer -- _tCommunication -- _tFlying Objects -- _tSynerplex Old AKH -- _tInexhaustible Space -- _tTransit Space (Car-Sharing Model) Aspern -- _tUrban-Joint -- _tHouse Without Qualities Technology Center Donauplatte -- _tDonaucity Tower— Extremes 2 (Power Rise) -- _tIndoor Windsurf Dome -- _tVie:Bra Vienna-Bratislava -- _tProducing High-Caliber -- _tThe First House Süssenbrunn City Expansion -- _tHainburg Breakthrough -- _tUniversity of Excellence -- _tHouse Kinsky by Klaus Stattmann The Pit by Peter Noever -- _tAquatic Comfort -- _tGraz -- _tSteinhaus -- _tLjubljana: Galerija Dessa Cooperation with University Melbourne, RMIT -- _tOhrt -- _tMunich -- _tWolf Prix: Master Teacher -- _tCinema Center Dresden -- _tDresden -- _tHybride Building Nuremberg -- _tMotovun -- _tInterplay -- _tUsing Models -- _tRock Over Barock -- _tVenice Terminal – A Multi Layered Urban Environment -- _tCity Puzzle -- _tA Multitude of Shells – An Urban Stage for Berlin Alexanderplatz -- _t„Querschnitte“ -- _tIce Bears in Tuscany -- _tSabbioneta -- _tLaboratory of Future Architecture -- _tEvery Year -- _tMonastary Sant’ Anna in Camprena -- _tThink Tank Hamburg -- _tDrive-In Hotel -- _tSay-What-You-Think Directness -- _tNew Perspectives -- _tThank You, Mr. Prix! -- _tVilla Savoye À Poissy -- _tSainte Marie De La Tourette -- _tLyon -- _tLyon: Musée Des Confluences -- _tAmsterdam/Rotterdam -- _tLloyd’s Pier Rotterdam -- _tTime to Move -- _tSaint Pierre De La Firminy -- _tRadical Reconstruction -- _tLibrary in Paris -- _tInitiator of The Path -- _tPulp Flats in a Blurred Oasis -- _tLondon -- _tPermanent Aesthetic Revolution -- _tIstanbul -- _tBlur -- _tTurkish Delight -- _tBilbao, Madrid -- _tMoscow -- _tArchitektur & Anarchie (Moscow. Liudmila & Vladislav Kirpichev) -- _tArchitecture in (E)Motion -- _tJump: 80 Units in Moscow -- _tJump: 80 Units In Moscow -- _tPorto -- _tDamascus -- _tHorizontal Density -- _tCultural Campus Egypt -- _tCultural Campus Egypt 2 -- _tHaving an Eye -- _tThe Tower of Babel -- _tGrand Prix -- _tThe Wolferl -- _tHavanna -- _t5 Squares Havanna Libre and Vienna -- _t5 Squares Havanna Libre and Vienna -- _tThe Laundry Man -- _tThe Bad Boy Builder Architect -- _tWhat I Learned from Wolf Prix -- _tShaping History for The School -- _tMaster Prix -- _tHong Kong Opera -- _t(D)Effekt Program – Pop Music Center Taipeh -- _t(D)Effekt Program 2 – Pop Music Center Taipeh -- _tHouse in Tokyo -- _tDragon in The Sea -- _tThe Sudden Realization of The Impossible Through Architecture Teaching -- _tHotel in Death Valley -- _tFirst Assignment -- _tArchitecture is Who He is -- _tCity Puzzle -- _tWolf’s Iceberg -- _tConceptual Clock -- _tPrix Will Find a Place for Them -- _tCocktail of Legacy and Revolution, Reference and Dissatisfaction -- _tTo Wolf [Sooner Or Later] -- _tOne of My Heroes -- _tAn Architect Who Demands and Aspires to The Impossible -- _tRevolume -- _tWolf is a Wolf is a Wolf is A Wolf _ 1+1+1+1 Equals 1 -- _tThe Deformed Block -- _tBuenos Aires Turbulence -- _tRio De Janeiro -- _tArchitecture Blazes! -- _tOaxaca -- _tThe Mexican Roof Revisited -- _tIf You Have to Blast The Rock, Just Blast It -- _tThe “Wild World“: “Tell Me How It’S Going, Not How It’S Not Going!“ -- _tJoints -- _tBox Operations -- _tBivouac Box -- _tTemple of Laughter -- _tLong Blue Legs and Water -- _tAutocatalytic Structures -- _tSingle Family House -- _tThe Black Spot of The Leopard -- _tNews -- _tNinya -- _tTransi-(S)-Torial Buildings -- _tSpaces in The Know -- _tThe Next Foreign -- _tContinuous House -- _tUnit 1 The City of Invading Wind -- _tUnit 2 Despina – The Desert Casino -- _tUnit 3 Move Your Body – 10 Seconds House -- _tBeautiful Bodies -- _tEye and Ear -- _tAggregation -- _tSix in One -- _tLiquid Bodies -- _tCity as a Process -- _tImportance of Arguments -- _tExtreme – Dynamic Forces -- _tExtreme – Dynamic Forces -- _tLet’s Spend The Night Together -- _tSelected Statements of Wolf D. Prix -- _tAbout Studio Prix -- _tAgainst Rowing in The Architecture Galley -- _tThe Master’s Announcement -- _tThe Future of Architecture II -- _tCommencement Speech -- _tArt is Research -- _tThe Role of University -- _tAgainst The Visual Devastation of Our Environment -- _tArchitecture as a Comprehensive Thought Process -- _tLet’S Rock Over Barock -- _tPolitics and Education -- _tStormy Times -- _tNo Risk No Fun -- _tInvestigate a New Reality -- _tStudents -- _tStaff -- _tGuests -- _tAssistent Professors -- _tPublications -- _tExhibitions -- _tPosters -- _tPostscript -- _tBiography Wolf D. Prix -- _tContents | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aWolf D. Prix, Mitbegründer von Coop Himmelb(l)au, war mehr als 20 Jahre der Leiter des Studio Prix an der Universität für angewandte Kunst Wien. Seine architektonischen Visionen prägten das Studio, das von Anfang an für Radikalismus, hochkarätige Strategien und in die Realität übertragene und umgesetzte Utopien stand. Studio Prix war ein Kreativzentrum, das intensive Betreuung bot. Diese Publikation beinhaltet eine Auswahl von Projekten und Diplomarbeiten von Studierenden, sowie Ausführungen von internationalen Freunden wie den ArchitektenHitoshi Abe, Hernan Diaz Alonso, Klaus Bollinger, Chris Bangle, Aaron Betsky, Mario Coyula-Cowley, Gregor Eichinger, Peter Eisenman, Zaha Hadid, Catherine Ingraham, Bettina Götz, Lars Lerup, Greg Lynn, Thom Mayne, Eric Owen Moss, Peter Noever, Carl Pruscha, Hani Rashid, Michael Rotondi, Patrik Schumacher, Peter Sellars und Lebbeus Woods sowie von seinen AssistentInnen und Theoretikern wie Günther Feuerstein, Sanford Kwinter, Hans Ulrich Reck und Christian Reder. | ||
| 520 | _aWolf D. Prix, founder of Coop Himmelb(l)au was more than 20 years head of Studio Prix at the Angewandte in Vienna.His architectural visions shaped the studio with radical concepts, high profile strategies and right from the beginningenabled students to develop projects for the world of the future. Studio Prix was a creative cluster with intense teaching. This publication contains a selection of projects and diploma works of students as well as statements of international friends like Hitoshi Abe, Hernan Diaz Alonso, Klaus Bollinger, Chris Bangle, Aaron Betsky, Mario Coyula-Cowley, Gregor Eichinger, Peter Eisenman, Zaha Hadid, Catherine Ingraham, Bettina Götz, Lars Lerup, Greg Lynn, Thom Mayne, Eric Owen Moss, Peter Noever, Carl Pruscha, Hani Rashid, Michael Rotondi, Patrik Schumacher, Peter Sellars, Lebbeus Woods as well as teaching staff and theoreticians such as Günther Feuerstein, Sanford Kwinter, Hans Ulrich Reck and Christian Reder. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | _aArchitecture _y21st century _vExhibitions. | |
| 650 | 4 | _aArchitektur. | |
| 650 | 4 | _aLehre. | |
| 650 | 4 | _aStudentenprojekte. | |
| 650 | 4 | _aUniversität für angewandte Kunst Wien. | |
| 650 | 4 | _aWolf D. Prix. | |
| 650 | 7 | _aARCHITECTURE / Methods & Materials. _2bisacsh | |
| 700 | 1 | _aAbe, Hitoshi _eautore | |
| 700 | 1 | _aAllner, Lukas _eautore | |
| 700 | 1 | _aAlonso, Hernan Diaz _eautore | |
| 700 | 1 | _aBalkir, Ceren _eautore | |
| 700 | 1 | _aBangle, Chris _eautore | |
| 700 | 1 | _aBaumgartner, Herwig _eautore | |
| 700 | 1 | _aBetsky, Aaron _eautore | |
| 700 | 1 | _aBette, Urs _eautore | |
| 700 | 1 | _aBollinger, Klaus _eautore _ecuratore | |
| 700 | 1 | _aCoyula-Cowley, Mario _eautore | |
| 700 | 1 | _aEichinger, Gregor _eautore | |
| 700 | 1 | _aEisenman, Peter _eautore | |
| 700 | 1 | _aFeuerstein, Günther _eautore | |
| 700 | 1 | _aFlatz, Martin _eautore | |
| 700 | 1 | _aFrass, Benedikt _eautore | |
| 700 | 1 | _aFuchs, Ernst _eautore | |
| 700 | 1 | _aGiencke, Luzie _eautore | |
| 700 | 1 | _aGraser, Andrea _eautore | |
| 700 | 1 | _aGrell, Sophie _eautore | |
| 700 | 1 | _aGrillitsch, Wolfgang _eautore | |
| 700 | 1 | _aGruber, Helmut _eautore | |
| 700 | 1 | _aGötz, Bettina _eautore | |
| 700 | 1 | _aHadid, Zaha _eautore | |
| 700 | 1 | _aHarnoncourt, Marie-Therese _eautore | |
| 700 | 1 | _aHeimrath, Moritz _eautore | |
| 700 | 1 | _aHoffenscher, Marc _eautore | |
| 700 | 1 | _aHoheneder, Waltraut _eautore | |
| 700 | 1 | _aHolzinger, Gregor _eautore | |
| 700 | 1 | _aHuber, Martin _eautore | |
| 700 | 1 | _aHugo, Jörg _eautore | |
| 700 | 1 | _aImhof, Barbara _eautore | |
| 700 | 1 | _aIngraham, Catherine _eautore | |
| 700 | 1 | _aIoA Institute of Architecture, _ecuratore | |
| 700 | 1 | _aJanowski-Fritsch, Roswitha _eautore _ecuratore | |
| 700 | 1 | _aJonkhans, Anja _eautore _ecuratore | |
| 700 | 1 | _aJonkhans, Niels _eautore | |
| 700 | 1 | _aJourdan, Benjamin _eautore | |
| 700 | 1 | _aKada, Kilian _eautore | |
| 700 | 1 | _aKandeler-Fritsch, Martina _eautore | |
| 700 | 1 | _aKerge, Kadri _eautore | |
| 700 | 1 | _aKrumbholz, Quirin _eautore | |
| 700 | 1 | _aKwinter, Sanford _eautore | |
| 700 | 1 | _aLeixner, Markus _eautore | |
| 700 | 1 | _aLeopold, Bernd _eautore | |
| 700 | 1 | _aLerup, Lars _eautore | |
| 700 | 1 | _aLonkwitz, Jörg _eautore | |
| 700 | 1 | _aLynn, Greg _eautore | |
| 700 | 1 | _aMartinez, Jean Pierre Bolivar _eautore | |
| 700 | 1 | _aMayne, Thom _eautore | |
| 700 | 1 | _aMessini, Valerie _eautore | |
| 700 | 1 | _aMoss, Eric Owen _eautore | |
| 700 | 1 | _aMueller, Baerbel _eautore _ecuratore | |
| 700 | 1 | _aOberascher, Martin _eautore | |
| 700 | 1 | _aOrlinski, Adam _eautore | |
| 700 | 1 | _aOtt, Alexander _eautore | |
| 700 | 1 | _aPeternell, Sabine _eautore | |
| 700 | 1 | _aPlaickner, Christian _eautore | |
| 700 | 1 | _aPolita, Giulio _eautore | |
| 700 | 1 | _aPruscha, Carl _eautore | |
| 700 | 1 | _aRashid, Hani _eautore | |
| 700 | 1 | _aReck, Hans Ulrich _eautore | |
| 700 | 1 | _aReder, Christian _eautore | |
| 700 | 1 | _aReiner, Phillip _eautore | |
| 700 | 1 | _aRotondi, Michael _eautore | |
| 700 | 1 | _aRutzinger, Stefan _eautore | |
| 700 | 1 | _aSam, Franz _eautore | |
| 700 | 1 | _aSchinegger, Kristina _eautore | |
| 700 | 1 | _aSchmidbaur, Karolin _eautore | |
| 700 | 1 | _aSchoba, Hubert _eautore | |
| 700 | 1 | _aSchumacher, Patrik _eautore | |
| 700 | 1 | _aSellars, Peter _eautore | |
| 700 | 1 | _aStattmann, Klaus _eautore | |
| 700 | 1 | _aStiefel, Hannes _eautore | |
| 700 | 1 | _aStrasser, Peter _eautore | |
| 700 | 1 | _aStürzenbecher, Anna _eautore | |
| 700 | 1 | _aTamre, Kadri _eautore | |
| 700 | 1 | _aValcheva, Elena _eautore | |
| 700 | 1 | _aWallraff, Michael _eautore | |
| 700 | 1 | _aWiederin, Carmen _eautore | |
| 700 | 1 | _aWill, Johannes _eautore | |
| 700 | 1 | _aWiscombe, Tom _eautore | |
| 700 | 1 | _aWoods, Lebbeus _eautore | |
| 700 | 1 | _aZallmann, Rupert _eautore | |
| 700 | 1 | _aZettl, Reiner _eautore | |
| 700 | 1 | _aZottl, Susanne _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783035612189 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783035612189 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783035612189/original | 
| 942 | _cEB | ||
| 999 | _c230849 _d230849 | ||