| 000 | 05872nam a22008535i 4500 | ||
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| 001 | 233046 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182609.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230228t20082007gw fo d z eng d | ||
| 020 |
_a9783110194647 _qprint |
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| 020 |
_a9783110198836 _qPDF |
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| 024 | 7 |
_a10.1515/9783110198836 _2doi |
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| 035 | _a(DE-B1597)9783110198836 | ||
| 035 | _a(DE-B1597)34628 | ||
| 035 | _a(OCoLC)979583918 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aP96.S43 _bS45 2007eb |
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| 072 | 7 |
_aLAN009000 _2bisacsh |
|
| 082 | 0 | 4 |
_a302.2301/4 _222 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aSelf-Reference in the Media / _ced. by Winfried Nöth, Nina Bishara. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter Mouton, _c[2008] |
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| 264 | 4 | _c©2007 | |
| 300 | _a1 online resource (340 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aApproaches to Applied Semiotics [AAS] , _x1612-6769 ; _v6 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPart I: Self-referentialmedia: Theoretical -- _tframeworks -- _tSelf-reference in the media:The semiotic -- _tframework -- _tDistortion, fabrication, and disclosure in a -- _tself-referential culture:The irresistible force of reality -- _tPart II: Self-referential print advertising -- _tModes of self-reference in advertising -- _tMetapictures and self-referential pictures -- _t“Absolut Anonymous”: Self-reference in opaque -- _tadvertising -- _tPart III: Self-referential photography -- _tThe death of photography in self-reference -- _tMarilyn:A paragone of the camera gaze -- _tPart IV: Self-referential film -- _tThe self-reflexive screen: Outlines of a -- _tcomprehensive model -- _tNostalgia of the media / in the media -- _tSelf-reference in animated films -- _tPart V: Self-referential television -- _tOn the use of self-disclosure as a mode of -- _taudiovisual reflexivity -- _tThe old in the new: Forms and functions of archive -- _tmaterial in the presentation of television history on television -- _tThere’s no business without show-business: -- _tSelf-reference as self-promotion -- _tPart VI: Self-referential games -- _tComputer games:The epitome of -- _tself-reference -- _tSelf-reference in computer games: A formalistic -- _tapproach -- _tMetacommunication in play and in (computer) -- _tgames -- _tSelf-reflexivity in computer games: Analyses of -- _tselected examples -- _tPart VII: Other self-referential arts -- _tLooking through the computer screen: -- _tSelf-reflexivity in net.art -- _tThe artist and her bodily self: Self-reference in -- _tdigital art/media -- _tMetafiction and metamusic: Exploring the limits of -- _tmetareference -- _tBackmatter |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThis book investigates how the media have become self-referential or self-reflexive instead of mediating between the real or fictional worlds about which their messages pretend to be and between the audience that they wish to inform, counsel, or entertain. The concept of self-reference is viewed very broadly. Self-reflexivity, metatexts, metapictures, metamusic, metacommunication, as well as intertextual, and intermedial references are all conceived of as forms of self-reference, although to different degrees and levels. The contributions focus on the semiotic foundations of reference and self-reference, discuss the transdisciplinary context of self-reference in postmodern culture, and examine original studies from the worlds of print advertising, photography, film, television, computer games, media art, web art, and music. A wide range of different media products and topics are discussed including self-promotion on TV, the TV show Big Brother, the TV format "historytainment," media nostalgia, the documentation of documentation in documentary films, Marilyn Monroe in photographs, humor and paradox in animated films, metacommunication in computer games, metapictures, metafiction, metamusic, body art, and net art. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aMass media _xSemiotics. |
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| 650 | 0 | _aMetalanguage. | |
| 650 | 0 | _aReference (Linguistics). | |
| 650 | 4 | _aKommunikation. | |
| 650 | 4 | _aMedien. | |
| 650 | 4 | _aSelbstbezüglichkeit. | |
| 650 | 4 | _aSemiotik. | |
| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Linguistics / General. _2bisacsh |
|
| 653 | _aSemiotics. | ||
| 653 | _acommunication. | ||
| 653 | _amedia. | ||
| 700 | 1 |
_aAndacht, Fernando _eautore |
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| 700 | 1 |
_aBishara, Nina _eautore _ecuratore |
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| 700 | 1 |
_aBleicher, Joan K. _eautore |
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| 700 | 1 |
_aBöhn, Andreas _eautore |
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| 700 | 1 |
_aColapietro, Vincent _eautore |
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| 700 | 1 |
_aKampmann Walther, Bo _eautore |
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| 700 | 1 |
_aKirchmann, Kay _eautore |
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| 700 | 1 |
_aLjungberg, Christina _eautore |
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| 700 | 1 |
_aNeitzel, Britta _eautore |
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| 700 | 1 |
_aNöth, Winfried _eautore _ecuratore |
|
| 700 | 1 |
_aPühringer, Karin _eautore |
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| 700 | 1 |
_aRapp, Bernhard _eautore |
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| 700 | 1 |
_aRyan, Marie-Laure _eautore |
|
| 700 | 1 |
_aSantaella, Lucia _eautore |
|
| 700 | 1 |
_aSchmidt, Siegfried J. _eautore |
|
| 700 | 1 |
_aSiebert, Jan _eautore |
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| 700 | 1 |
_aSiegert, Gabriele _eautore |
|
| 700 | 1 |
_aWithalm, Gloria _eautore |
|
| 700 | 1 |
_aWolf, Werner _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110198836 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110198836 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110198836/original |
| 942 | _cEB | ||
| 999 |
_c233046 _d233046 |
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