000 03619nam a22006255i 4500
001 233050
003 IT-RoAPU
005 20230501182609.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 230228t20082007gw fo d z eng d
020 _a9783110198881
_qPDF
024 7 _a10.1515/9783110198881
_2doi
035 _a(DE-B1597)9783110198881
035 _a(DE-B1597)34644
035 _a(OCoLC)979583919
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aMT6.V54
_bG73 2007eb
072 7 _aLAN009000
_2bisacsh
082 0 4 _a780.954/8
_222
084 _aonline - DeGruyter
100 1 _aVijayakrishnan, K.G.
_eautore
245 1 4 _aThe Grammar of Carnatic Music /
_cK.G. Vijayakrishnan.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter Mouton,
_c[2008]
264 4 _c©2007
300 _a1 online resource (342 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aPhonology and Phonetics [PP] ,
_x1861-4191 ;
_v8
505 0 0 _tFrontmatter --
_tTable of Contents --
_tAcknowledgements --
_tForeword --
_tChapter 1. Introduction --
_tChapter 2. Language and (Carnatic) music --
_tChapter 3. Issues in modeling the grammar: Language --
_tand Carnatic music --
_tChapter 4. Conversion of pitch values to --
_tnotes --
_tChapter 5. Representation of the musical --
_tline --
_tChapter 6. Construing meaning in Carnatic music: --
_tDetermining grammaticality --
_tChapter 7. Construing meaning in Carnatic music: --
_tStyle/stylistic issues --
_tChapter 8. The lexicon of Carnatic music --
_tChapter 9. Accounting for variation in Carnatic --
_tmusic --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book argues that Carnatic music as it is practiced today can be traced to the musical practices of early/ mid eighteenth century. Earlier varieties or 'incarnations' of Indian music elaborately described in many musical treatises are only of historical relevance today as the music described is quite different from current practices. It is argued that earlier varieties may not have survived because they failed to meet the three crucial requirements for a language-like organism to survive i.e., a robust community of practitioners/ listeners which I call the Carnatic Music Fraternity, a sizeable body of musical texts and a felt communicative need. In fact, the central thesis of the book is that Carnatic music, like language, survived and evolved from early/mid eighteenth century when these three requirements were met for the first time in the history of Indian music.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aCarnatic music
_xTheory.
650 0 _aMusic and language.
650 0 _aMusic theory
_zIndia.
650 4 _aIndien /Musik.
650 4 _aIndien /Sprache.
650 4 _aMetrik.
650 4 _aPhonologie.
650 7 _aLANGUAGE ARTS & DISCIPLINES / Linguistics / General.
_2bisacsh
653 _aIndia/language.
653 _aIndia/music.
653 _ametrics.
653 _aphonology.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110198881
856 4 0 _uhttps://www.degruyter.com/isbn/9783110198881
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110198881/original
942 _cEB
999 _c233050
_d233050