000			09872nam a22012255i 4500
001			233777
003			IT-RoAPU
005			20230501182640.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			230228t20102010gw fo d z eng d
019			_a(OCoLC)731640667
020			_a9783110208566 _qprint
020			_a9783110216875 _qPDF
024	7		_a10.1515/9783110216875 _2doi
035			_a(DE-B1597)9783110216875
035			_a(DE-B1597)36417
035			_a(OCoLC)667251927
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aCC135 _b.P595 2010
072		7	_aART026000 _2bisacsh
082	0	4	_a363.6/9
084			_aonline - DeGruyter
245	0	0	_aPlaster Casts : _bMaking, Collecting and Displaying from Classical Antiquity to the Present / _ced. by Rune Frederiksen, Eckart Marchand.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2010]
264		4	_c©2010
300			_a1 online resource (752 p.) : _b32 Farbtaf.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aTransformationen der Antike , _x1864-5208 ; _v18
505	0	0	_tFrontmatter -- _tTable of Contents -- _tIntroduction -- _tAntiquity -- _tPlaster Casts in Antiquity -- _tThe Baiae Casts and the Uniqueness of Roman Copies -- _tThe Renaissance -- _tPlaster and Plaster Casts in Renaissance Italy -- _t“Giving away the moulds will cause no damage to his Majesty’s casts” – New Documents on the Vienna Jüngling and the Sixteenth-Century Dissemination of Casts after the Antique in the Holy Roman Empire -- _t“Makinge of moldes for the walles” – The Stuccoes of Nonsuch: materials, methods and origins -- _tMaking and Distribution from the Eighteenth to the Twentieth Century -- _t“Moulded from the best originals of Rome” – Eighteenth-Century Production and Trade of Plaster Casts after Antique Sculpture in Germany -- _tLaocoön in Scandinavia – Uses and Workshops 1587 onwards -- _tHow the Smiths Made a Living -- _tArtists’ Academies -- _tPlaster Casts and Memory Technique: Nicolas Vleughels’ display of cast collections after the antique in the French Academy in Rome (1725–1793) -- _tIncorporating Antiquity – The Berlin Academy of Arts’ Plaster Cast Collection from 1786 until 1815: acquisition, use and interpretation -- _tArt and Pedagogy in the Plaster Cast Collection of the Academia de San Carlos in Mexico City -- _tArtists’ Workshops -- _tPicturing the Use, Collecting and Display of Plaster Casts in Seventeenth- and Eighteenth-Century Artists’ Studios in Antwerp and Brussels -- _tModern Sculpture in the Making: Antonio Canova and plaster casts -- _tChantrey and the Original Models -- _tLive Body Moulding and Maternal Devotion in Marcello’s Studio -- _tShattering the Mould: Medardo Rosso and the poetics of plaster -- _t“Impressionism Solidified” – Umberto Boccioni’s Works in Plaster and the Definition of Modernity in Sculpture -- _tOutside In: the after-life of the plaster cast in contemporary culture -- _tInside Out: a process for production -- _tConservation -- _tThe Plaster Decoration of the Choir Screens in the Church of Our Lady in Halberstadt: a current conservation project -- _tThe Restoration of Two Plaster Casts Acquired by Velázquez in the Seventeenth Century: the Hercules and Flora Farnese -- _tThe Contribution of Plaster Sculptures and Casts to Successful Conservation Interventions at the National Gallery of Greece, Athens -- _tArchitectural Models and Collections after Gems -- _tPlaster Models and Plaster Casts of Classical Architecture and its Decoration -- _tA Dactyliotheca by James Tassie and Other Collections of Gem Impressions at the University of Göttingen -- _tA Munificent Gift: cast collections of gem impressions from the Sir Henry Wellcome Trust -- _tCasting Nations: The National Museum -- _t“The Question of Casts” – Collecting and Later Reassessment of the Cast Collections at South Kensington -- _tThe Reproductive Continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum -- _tPlaster Casts and Postcards: the postcard edition of the Musée de Sculpture Comparée at Paris -- _tMore Valuable than Originals? The Plaster Cast Collection in the National Museum of Prague (1818–2008): its history and predecessors -- _tBuilding a Small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvetaev -- _tCast Collecting in the United States -- _tColonial Contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum -- _tDisplay and the Future of Plaster Casts -- _tSir John Soane’s Casts as Part of his Academy of Architecture at 13 Lincoln’s Inn Fields -- _tThe Museum as a Manifesto of Taste and Ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua -- _tLiving with Plaster Casts -- _tLe jardin des plâtres: un autre regard sur les collections de moulages -- _tBackmatter
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis volume originates from an international conference (Oxford University, 2007). Texts address plaster casts and related themes from antiquity to the present day, and from Egypt to America, Mexico and New Zealand. They are of interest to classical archaeologists, art historians, the history of collecting, curators, conservators, collectors and artists. Articles explore the functions, status and reception of plaster casts in artists’ workshops and in private and public collections, as well as hands-on issues, such as the making, trading, display and conservation of plaster casts. Case-studies on artists’ use of material and technique include ancient Roman copyists, Renaissance sculptors and painters, Dutch 17th-century workshops, Canova, Boccioni and others. A second theme is the role of plaster casts in the history of collecting from the Renaissance to the present day.Several papers address the dissemination of visual ideas, models and ideals through the medium. Papers on modern and contemporary art illuminate the changing uses and semantic values of plaster casts in this period. Amongst the types of casts discussed are artists’ models and final works as well as casts after antiquities, including sculpture, architecture and gems (dactyliothecae). The volume demonstrates the richness of the field, both in terms of the material itself and modern scholarship concerned with it. Conceived as a handbook for students, academics, curators and collectors, the text will form a standard work on the role of plaster casts in the history of Western sculpture.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650		0	_aAntiquities _xCollection and preservation _vCongresses.
650		0	_aArchaeology _xMethodology _vCongresses.
650		0	_aArt, Ancient _xConservation and restoration _vCongresses.
650		0	_aCultural property _xProtection _vCongresses.
650		0	_aPlaster casts _vCongresses.
650		0	_aSculpture, Ancient _xConservation and restoration _vCongresses.
650		4	_aGipsabguss.
650		4	_aGriechenland ‹Altertum›.
650		4	_aMoulage.
650		4	_aPlastik.
650		4	_aRömisches Reich.
650		4	_aSkulptur.
650		7	_aART / Sculpture & Installation. _2bisacsh
653			_aMoulage.
653			_aPlaster cast.
653			_aSculpture.
700	1		_aArnold, Daniela _eautore
700	1		_aArnold, Torsten _eautore
700	1		_aBaker, Malcolm _eautore
700	1		_aBiddle, Martin _eautore
700	1		_aBilbey, Diane _eautore
700	1		_aBurg, Tobias _eautore
700	1		_aCooke, Ian _eautore
700	1		_aCorpataux, Jean-François _eautore
700	1		_aCupperi, Walter _eautore
700	1		_aDorey, Helen _eautore
700	1		_aDoulgeridis, Michael _eautore
700	1		_aDyson, Stephen L. _eautore
700	1		_aFrederiksen, Rune _eautore _ecuratore
700	1		_aFuentes Rojas, Elizabeth _eautore
700	1		_aGampp, Axel _eautore
700	1		_aGasca Miramón, Judit _eautore
700	1		_aGraepler, Daniel _eautore
700	1		_aHecker, Sharon _eautore
700	1		_aKliafa, Maria _eautore
700	1		_aKockel, Valentin _eautore
700	1		_aLandwehr, Christa _eautore
700	1		_aLock, Léon E. _eautore
700	1		_aLuzón Nogué, José María _eautore
700	1		_aMacsotay, Tomas _eautore
700	1		_aMalone, Peter _eautore
700	1		_aMalvern, Sue _eautore
700	1		_aMarchand, Eckart _eautore _ecuratore
700	1		_aMcAdam Freud, Jane _eautore
700	1		_aMenegazzi, Alessandra _eautore
700	1		_aMyssok, Johannes _eautore
700	1		_aPerkins, James _eautore
700	1		_aRüber-Schütte, Elisabeth _eautore
700	1		_aSchreiter, Charlotte _eautore
700	1		_aSedlarz, Claudia _eautore
700	1		_aSeidmann, Gertrud _eautore
700	1		_aSolís Parra, Ángeles _eautore
700	1		_aStehliková, Dana _eautore
700	1		_aSullivan, Matthew Greg _eautore
700	1		_aSánchez, Silvia Viana _eautore
700	1		_aTrusted, Marjorie _eautore
700	1		_aVersari, Maria Elena _eautore
700	1		_aWagner, Claudia _eautore
700	1		_aZahle, Jan _eautore
700	1		_avan den Driessche, Bernard _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110216875
856	4	0	_uhttps://www.degruyter.com/isbn/9783110216875
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110216875/original
942			_cEB
999			_c233777 _d233777