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001 234291
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008 230228t20102010gw fo d z eng d
019 _a(OCoLC)979584593
019 _a(OCoLC)987927290
019 _a(OCoLC)992454274
020 _a9783110232394
_qprint
020 _a9783110232400
_qPDF
024 7 _a10.1515/9783110232400
_2doi
035 _a(DE-B1597)9783110232400
035 _a(DE-B1597)38861
035 _a(OCoLC)658217917
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPT345
_b.H55 2010eb
072 7 _aLIT004170
_2bisacsh
082 0 4 _a830.9/3578
_222
084 _aonline - DeGruyter
100 1 _aHirt, Katherine
_eautore
245 1 0 _aWhen Machines Play Chopin :
_bMusical Spirit and Automation in Nineteenth-Century German Literature /
_cKatherine Hirt.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2010]
264 4 _c©2010
300 _a1 online resource (170 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aInterdisciplinary German Cultural Studies ,
_x1861-8030 ;
_v8
502 _aDissertation
_cUniversity of Washington
_d2008.
505 0 0 _tFrontmatter --
_tTable of Contents --
_tChapter One Towards Autonomy: Imitation and Expression at the Turn of the Nineteenth Century --
_tChapter Two E.T.A. Hoffmann’s Aesthetics of Music and Musical Machines in “The Automata,” “The Sandman” and Music Reviews --
_tChapter Three Schopenhauer and Hanslick: Toward a Definition of Instrumental Music as an Autonomous Art --
_tChapter Four Virtuosity and the Experience of Listening in Heinrich Heine’s Music Criticism and “Florentine Nights” --
_tChapter Five Rilke’s Phonograph: the “Talking Machine” and Imagined Sound --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aWhen Machines Play Chopin brings together music aesthetics, performance practices, and the history of automated musical instruments in nineteenth-century German literature. Philosophers defined music as a direct expression of human emotion while soloists competed with one another to display machine-like technical perfection at their instruments. When Machines Play Chopin looks at this paradox between thinking about and practicing music to show what three literary works say about automation and the sublime in art.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aGerman literature
_y19th century
_xHistory and criticism.
650 0 _aMusic and literature
_zGermany
_xHistory
_y19th century.
650 0 _aMusic in literature.
650 0 _aMusical instruments in literature.
650 4 _aMechanisches Musikinstrument.
650 4 _aMusik/i.d. Literatur.
650 7 _aLITERARY CRITICISM / European / German.
_2bisacsh
653 _aMechanical Musical Instrument.
653 _aMusic/in Literature.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110232400
856 4 0 _uhttps://www.degruyter.com/isbn/9783110232400
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110232400/original
942 _cEB
999 _c234291
_d234291