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019 _a(OCoLC)979600292
019 _a(OCoLC)984521226
019 _a(OCoLC)987921863
019 _a(OCoLC)992504273
019 _a(OCoLC)999362310
020 _a9783110238082
_qprint
020 _a9783110238099
_qPDF
024 7 _a10.1515/9783110238099
_2doi
035 _a(DE-B1597)9783110238099
035 _a(DE-B1597)113912
035 _a(OCoLC)769190325
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPG3479.4.R64
072 7 _aLAN009000
_2bisacsh
082 0 4 _81u
_a891.7144
_qDE-101
_222/ger
084 _aonline - DeGruyter
100 1 _aFriedberg, Nila
_eautore
245 1 0 _aEnglish Rhythms in Russian Verse: On the Experiment of Joseph Brodsky /
_cNila Friedberg.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter Mouton,
_c[2011]
264 4 _c©2011
300 _a1 online resource (209 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTrends in Linguistics. Studies and Monographs [TiLSM] ,
_x1861-4302 ;
_v232
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tA note on copyright and transliteration --
_tTable of contents --
_tIntroduction --
_t1. Brodsky’s predecessors: Rules, violations, semantics --
_t2. Redundant syllables: Elision in Brodsky’s verse --
_t3. Brodsky’s anti-RD rhythm: semantics and sources --
_tConclusion --
_tAppendices --
_tAppendix I. Changes from Brodsky’s drafts to final versions --
_tAppendix II. 100 randomly-selected words with the shape -Xxx- in the prose of Brodsky, Slutsky, and Donne --
_tAppendix III. Words with the shape -Xxx- in elision positions in the verse of Donne, Brodsky, and Slutsky --
_tAppendix IV. Statistical tests of words with the shape -Xxx- in poetry and prose --
_tAppendix V. Anti-RD rhythm in Brodsky’s iambic poems --
_tAppendix VI. Anti-RD rhythm in Tsvetaeva’s iambic poems --
_tAppendix VII. Anti-RD rhythm in Brodsky, Tsvetaeva, and Donne --
_tReferences --
_tAuthor index --
_tSubject index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aReaders of poetry make aesthetic judgements about verse. It is quite common to hear intuitive statements about poets' rhythms. It is said, for example, that Joseph Brodsky, the Russian poet and 1987 Nobel Prize laureate, "sounds English" when he writes in Russian. Yet, it is far from clear what this statement means from a linguistic point of view. What is English about Brodsky's Russian poetry? And in what way are his "English" rhythms different from the verse of his Russian predecessors? The book provides an analysis of Brodsky's experiment bringing evidence from an unusually wide variety of disciplines and theories rarely combined in a single study, including the generative approach to meter; the Russian quantitative approach, analysis of readers' intuitions about poetic rhythm, analysis of the poet's source readings, as well as acoustic phonetics, statistics, and archival research. The distinct analytic approaches applied in this book to the same phenomenon complement one another each providing insight alternate approaches do not, and showing that only a combination of theories and methods allows us to fully appreciate what Brodsky's "English accent" really was, and what any poetic innovation means.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aEnglish language
_xInfluence on foreign languages.
650 0 _aLinguistics in literature.
650 0 _aRussian poetry
_y20th century
_xHistory and criticism.
650 4 _aPhonologie.
650 4 _aSprache und Literatur.
650 4 _aSprachkontakt.
650 7 _aLANGUAGE ARTS & DISCIPLINES / Linguistics / General.
_2bisacsh
653 _aLanguage Contact.
653 _aLanguage and Literature.
653 _aPhonology.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110238099
856 4 0 _uhttps://www.degruyter.com/isbn/9783110238099
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110238099/original
942 _cEB
999 _c234411
_d234411