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019 _a(OCoLC)1013939250
020 _a9783110274486
_qprint
020 _a9783110279733
_qPDF
024 7 _a10.1515/9783110279733
_2doi
035 _a(DE-B1597)9783110279733
035 _a(DE-B1597)175448
035 _a(OCoLC)853256335
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aBV467.5.S93
_bB35 2012
072 7 _aLIT004190
_2bisacsh
082 0 4 _a264/.23
_223
084 _aonline - DeGruyter
100 1 _aBaldi, Idalgo
_eautore
245 1 0 _aGli Inni di Sinesio di Cirene :
_bVicende testuali di un corpus tardoantico /
_cIdalgo Baldi.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2011]
264 4 _c©2012
300 _a1 online resource (187 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aBeiträge zur Altertumskunde ,
_x1616-0452 ;
_v299
505 0 0 _tFrontmatter --
_tPremessa --
_tSommario --
_tIntroduzione --
_tNovità dai manoscritti --
_tPreliminari sul corpus innodico sinesiano --
_tUn proemio per gli Inni --
_tL’inno 1 --
_tGli inni 6, 7 e 8 --
_tAppendice --
_tConclusioni --
_tConspectus Codicum --
_tBibliografia --
_tIndici
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSince Terzaghi’s edition (1939) no new relevant data were found illustrating the textual history of the Synesian poetic corpus from Late Antiquity to the Palaeologan Byzantium. Thanks to a new inspection of the main manuscripts and the enucleation of thematic and structural incoherencies, hitherto unnoticed, it seems possible to restore the structure of the hymnodic corpus as it was before its original pattern was damaged and modified by late Byzantine editors. Specific researches are devoted to: (1) the displacement of the ninth hymn (originally intended to open the hymns series); (2) the beginning of a new hymn with the last verses of the ninth; (3) the merging of two hymns into what is now the first hymn and a new assessment of the last part of the same piece (according to the Neoplatonic theory of the soul); (4) the real purpose and nature of the hymns 6-8 (uncorrectly considered “tout court” as christological), and the original structure of the eighth hymn (to be divided in two different poems). Moreover, the study of ancient and late antique metrical and musical theories reveals hitherto unexpected features about both production and performance of Synesius’ hymns.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn Italian.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aHymns, Greek
_xCriticism, Textual.
650 4 _aEdition.
650 4 _aHymnen.
650 4 _aSpätantike.
650 4 _aSynesius.
650 7 _aLITERARY CRITICISM / Ancient & Classical.
_2bisacsh
653 _aEdition.
653 _aHymns.
653 _aLate Antiquity.
653 _aSynesius.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110279733
856 4 0 _uhttps://www.degruyter.com/isbn/9783110279733
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110279733/original
942 _cEB
999 _c235378
_d235378