| 000 | 03234nam a22006375i 4500 | ||
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| 001 | 235471 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182746.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230228t20122012gw fo d z eng d | ||
| 019 | _a(OCoLC)853266635 | ||
| 020 |
_a9783110283815 _qprint |
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| 020 |
_a9783110283860 _qPDF |
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| 024 | 7 |
_a10.1515/9783110283860 _2doi |
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| 035 | _a(DE-B1597)9783110283860 | ||
| 035 | _a(DE-B1597)176129 | ||
| 035 | _a(OCoLC)812251490 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPA6445.H35 _bA737 2012eb |
|
| 072 | 7 |
_aLIT004190 _2bisacsh |
|
| 082 | 0 | 4 |
_a871/.01 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aRondholz, Anke _eautore |
|
| 245 | 1 | 4 |
_aThe Versatile Needle : _bHosidius Geta’s Cento "Medea" and Its Tradition / _cAnke Rondholz. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2012] |
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| 264 | 4 | _c©2012 | |
| 300 | _a1 online resource (172 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aTrends in Classics - Supplementary Volumes , _x1868-4785 ; _v15 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tProlegomena -- _tChapter 1. Origin and Development of the Cento -- _tChapter 2. What is a Cento? -- _tChapter 3. Hosidius Geta, Medea: an Introduction -- _tChapter 4. Hosidius Geta’s Medea: Form and Technique -- _tChapter 5. The Relationship Between Cento and Primary Text -- _tChapter 6. Hosidius Geta’s Place in the Medea Tradition -- _tBibliography -- _tGeneral Index -- _tIndex of Vergilian Lines Used in the Cento |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe cento-tragedy Medea usually attributed to Hosidius Geta was transmitted in the Codex Salmasianus (now Codex Parisinus 10318). This is a comprehensive study and reevaluation of the text against the background of the ancient cento tradition, also providing a new English translation. After developing a new definition of the ancient conception of the cento in general, Geta’s cento technique and his use of the Vergilian text as well as his relation to the Greek and Roman models for his Medea are examined. It is shown that his play is innovative and sophisticated in both technique and content. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aLatin literature _xHistory and criticism. |
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| 650 | 4 | _aCento. | |
| 650 | 4 | _aHosidius Geta. | |
| 650 | 4 | _aIntertextualität. | |
| 650 | 4 | _aMedea. | |
| 650 | 7 |
_aLITERARY CRITICISM / Ancient & Classical. _2bisacsh |
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| 653 | _aCento. | ||
| 653 | _aHosidius Geta. | ||
| 653 | _aIntertextuality. | ||
| 653 | _aMedea. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110283860 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110283860 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110283860/original |
| 942 | _cEB | ||
| 999 |
_c235471 _d235471 |
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