| 000 | 05425nam a22007815i 4500 | ||
|---|---|---|---|
| 001 | 235635 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182752.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230228t20142015gw fo d z eng d | ||
| 019 | _a(OCoLC)1013946556 | ||
| 019 | _a(OCoLC)1037981357 | ||
| 019 | _a(OCoLC)1041971243 | ||
| 019 | _a(OCoLC)1046614483 | ||
| 019 | _a(OCoLC)1046997782 | ||
| 019 | _a(OCoLC)1049628702 | ||
| 019 | _a(OCoLC)1054882097 | ||
| 020 |
_a9783110290585 _qprint |
||
| 020 |
_a9783110388800 _qEPUB |
||
| 020 |
_a9783110290653 _qPDF |
||
| 024 | 7 |
_a10.1515/9783110290653 _2doi |
|
| 035 | _a(DE-B1597)9783110290653 | ||
| 035 | _a(DE-B1597)177303 | ||
| 035 | _a(OCoLC)951149531 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aNX550.A1 _b.E24 2015eb |
|
| 072 | 7 |
_aART015100 _2bisacsh |
|
| 082 | 0 | 4 | _a700.94309/04 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aEchoes of Exile : _bMoscow Archives and the Arts in Paris 1933-1945 / _ced. by Ines Rotermund-Reynard. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2014] |
|
| 264 | 4 | _c©2015 | |
| 300 | _a1 online resource (180 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aContact Zones : Studies in Global Art , _x2196-3746 ; _v2 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tAcknowledgements -- _tPreface -- _tContents -- _tGerman-speaking Artists in Parisian Exile: Their Routes to the French Capital, Activities There, and Final Flight – a Short Introduction -- _tPlunder, Restitution, Emotion and the Weight of Archives: A Historical Approach -- _t“Trophy” Archives in Moscow and the Art Scene in France and Germany under the National Socialist Regime, 1933–1945: A Brief Orientation -- _tLifting the Veil on Moscow’s Secret Archives -- _tThe Arthur Goldschmidt File in the Archive of the Direction de la Sûreté: French Police Archives Shed Light on Paul Graupe & Cie (Paris, 1937–1939) -- _t“… not my most beautiful but my best paintings …”:1 Oskar Kokoschka’s list for London -- _tThe Art Historian Charlotte Weidler: a Lost Voice Speaks from the Moscow Special Archive -- _tTHE PAUL CASSIRER GALLERY (1933–1945): Berlin – Amsterdam – London -- _tAugust Liebmann Mayer (1885–1944) – Success, Failure, Emigration, Deportation and Murder -- _tPicture Credits -- _tAuthors -- _tIndex -- _tPlates |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aAb 1933 wurden Tausende von Menschen vom nationalsozialistischen Regime ins Exil getrieben. Für viele deutschsprachige Künstler und Schriftsteller wurde Paris vorübergehend zur Hauptstadt. Die Archive dieser Exilanten wurden zu "displaced objects", verstreut, geraubt, verschleppt, oft zerstört, aber auch häufig bewahrt. Im Zentrum des Buches steht die Auswertung unbekannten Quellenmaterials, das seit Kriegsende im Moskauer Sonderarchiv/RGVA lagert und das neue Einblicke in die Aktivitäten der deutschsprachigen Emigration der dreißiger Jahre in Paris und Europa erlaubt. Im Rahmen der aktuellen Debatte um deplatzierte Kulturgüter und Restitution versucht der Band damit auch einen transnationalen, interdisziplinären Wissenschaftsdialog zu eröffnen. | ||
| 520 | _aThousands of people were driven into exile by Germany's National Socialist regime from 1933 onward. For many German-speaking artists and writers Paris became a temporary capital. The archives of these exiles became "displaced objects" - scattered, stolen, confiscated, and often destroyed, but also frequently preserved. This book assesses previously unknown source material stored at the Moscow State Military Archive (RVGA) since the end of the war, and offers new insights into the activities of German-speaking exiles in the 1930s in Paris and Europe. Against the backdrop of current debates surrounding displaced cultural goods and their restitution, this work seeks to facilitate a transnational, interdisciplinary scientific dialogue. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aArtists _zGermany _xArchives _vCongresses. |
|
| 650 | 0 |
_aArts, German _y20th century _xArchival resources _vCongresses. |
|
| 650 | 0 |
_aExpatriate artists _zFrance _zParis _xArchives _vCongresses. |
|
| 650 | 7 |
_aART / History / Modern (late 19th Century to 1945). _2bisacsh |
|
| 700 | 1 |
_aChermont, Isabelle le Masne de _eautore |
|
| 700 | 1 |
_aFeilchenfeldt, Christina _eautore |
|
| 700 | 1 |
_aFuhrmeister, Christian _eautore |
|
| 700 | 1 |
_aGrimsted, Patricia Kennedy _eautore |
|
| 700 | 1 |
_aHolm, Kerstin _eautore |
|
| 700 | 1 |
_aHolz, Keith _eautore |
|
| 700 | 1 |
_aKienlechner, Susanne _eautore |
|
| 700 | 1 |
_aKorotayev, Vladimir _eautore |
|
| 700 | 1 |
_aRotermund-Reynard, Ines _eautore _ecuratore |
|
| 700 | 1 |
_aRoussel, Hélène _eautore |
|
| 700 | 1 |
_aSavoy, Bénédicte _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110290653 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110290653 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110290653/original |
| 942 | _cEB | ||
| 999 |
_c235635 _d235635 |
||