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| 019 | _a(OCoLC)960208416 | ||
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_a10.1515/9783110297102 _2doi |
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| 035 | _a(DE-B1597)178759 | ||
| 035 | _a(OCoLC)840046650 | ||
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aTurning Points : _bConcepts and Narratives of Change in Literature and Other Media / _ced. by Ansgar Nünning, Kai Marcel Sicks. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2012] |
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| 264 | 4 | _c©2012 | |
| 300 | _a1 online resource (461 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_aspectrum Literaturwissenschaft / spectrum Literature : Komparatistische Studien / Comparative Studies , _x1860-210X ; _v33 |
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_tFrontmatter -- _tAcknowledgements -- _tTable of Contents -- _tTurning Points as Metaphors and Mininarrations: Analysing Concepts of Change in Literature and Other Media -- _tI. Concepts of Change in Narrative Theory -- _t“With the Benefit of Hindsight”: Features and Functions of Turning Points as a Narratological Concept and as a Way of Self-Making -- _tTurning Points in the Nineteenth-Century Novella: Poetic Negotiations and the Representation of Social Rituals -- _tIterative Narration and Other Forms of Resistance to Peripeties in Modernist Writing -- _tThe Missing Turning Points in the Story: Musil’s Der Mann ohne Eigenschaften Between Ethics and Epistemology -- _t“If the Stranger hadn’t been there! … But he was!” Causal, Virtual and Evaluative Dimensions of Turning Points in Alternate Histories, Science-Fiction Stories and Multiverse Narratives -- _tII. Narratives of Cultural Change in Literature and Visual Media -- _tOn the Threshold: The Brothel and the Literary Salon as Heterotopias in Finnish Urban Novels -- _tLong Waves or Vanishing Points? A Cognitive Approach to the Literary Construction of History -- _t(Re)Turn to Dystopia: Community Feeling in M. Night Shyamalan’s The Village -- _tRemediating Turning Points for Conviviality and Englishness in Contemporary Black British Literature -- _tThis Is (Not) It: Rate, Rattle and Roll in the Struggle for Financial Narratives -- _tIII. Turning Point Narratives in Literary and Cinematic Life-Writing -- _tTurning a Slave Into a Freeman: Frederick Douglass, Photography and the Formation of African American Fiction -- _tReframing Absence: Masquerade as Turning Point in Du Maurier’s and Hitchcock’s Rebecca -- _tPlayer in the Dark: Mourning the Loss of the Moral Foundation of Art in Woody Allen’s Match Point -- _tRoots, Seduction and Mestiçagem in José Eduardo Agualusa’s My Father’s Wives -- _tA Middle Passage to Modernity: Reflections on David Dabydeen’s Postmodern Slave Narrative A Harlot’s Progress -- _tBecoming the ‘Other’: Metamorphosis and ‘Turning Points’ in Katja Lange-Müller and Yoko Tawada -- _tIV. Constructing Turning Points in Literary History -- _tLay Pamphlets in the Early Reformation: Turning Points in Religious Discourse and the Pamphlet Genre? -- _tThe King is Dead, Long Live … the Queen: Turning Points in Panegyric Writing – Queen Christina of Sweden (1626-1689) -- _tWriting New Worlds: Eberhard Werner Happel and the Invention of a Genre -- _tDickens and The Pickwick Papers: Unstable Signs in a Transmodal Discourse -- _tBridget Jones’s Diary: A Case Study of Austen Fan Fiction -- _tNew Media and the Novel: A Survey of Generic Trends in Contemporary Literature -- _tV. (De)Constructing Turning Points in Literary Theory -- _tOn the Linguistic Turns in the Humanities and Their Effect on Literary Studies -- _tTurning Points and Mutuality in Literature and Psychoanalysis -- _tThe Speaking Animal Speaking the Animal: Three Turning Points in Thinking the Animal -- _tNotes on Contributors |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAt times of crisis and revolution such as ours, diagnoses of crucial junctures and ruptures – ‘turning points’ – in the continuous flow of history are more prevalent than ever. Analysing literary, cinematic and other narratives, the volume seeks to understand the meanings conveyed by different concepts of turning points, the alternative concepts to which they are opposed when used to explain historical change, and those contexts in which they are unmasked as false and over-simplifying constructions. Literature and film in particular stress the importance of turning points as a sensemaking device (as part of a character’s or a community’s cultural memory), while at the same time unfolding the constructive and hence relative character of turning points. Offering complex reflections on the notion of turning points, literary and filmic narratives are thus of particular interest to the present volume. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | _aChange in literature. | |
| 650 | 0 | _aMass media and history. | |
| 650 | 0 | _aSocial change in literature. | |
| 650 | 4 | _aNarratology. | |
| 650 | 4 | _aWendepunkte. | |
| 650 | 4 | _aZeitkonzepte. | |
| 650 | 7 |
_aLITERARY CRITICISM / General. _2bisacsh |
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| 653 | _aTime. | ||
| 653 | _anarratology. | ||
| 700 | 1 |
_aAMEEL, LIEVEN _eautore |
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| 700 | 1 |
_aANTZ, ELISA _eautore |
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| 700 | 1 |
_aBONADEI, ROSSANA _eautore |
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| 700 | 1 |
_aDOS SANTOS LOPES, MARÍLIA _eautore |
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| 700 | 1 |
_aEGERER, CLAUDIA _eautore |
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| 700 | 1 |
_aFAISST, JULIA _eautore |
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| 700 | 1 |
_aFERREIRA, TERESA _eautore |
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| 700 | 1 |
_aGIL, ISABEL CAPELOA _eautore |
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| 700 | 1 |
_aGONÇALVES, DIANA _eautore |
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| 700 | 1 |
_aHANENBERG, PETER _eautore |
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| 700 | 1 |
_aKARLSSON HAMMARFELT, LINDA _eautore |
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| 700 | 1 |
_aKUSCHE, SABRINA _eautore |
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| 700 | 1 |
_aLOCATELLI, ANGELA _eautore |
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| 700 | 1 |
_aLUNDSTRÖM, KERSTIN _eautore |
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| 700 | 1 |
_aLYYTIKÄINEN, PIRJO _eautore |
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| 700 | 1 |
_aMARTELLA, VINCENZO _eautore |
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| 700 | 1 |
_aMÄKELÄ, HANNA _eautore |
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| 700 | 1 |
_aNÜNNING, ANSGAR _eautore |
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| 700 | 1 |
_aNünning, Ansgar _ecuratore |
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| 700 | 1 |
_aPETTERSSON, BO _eautore |
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| 700 | 1 |
_aPYRHÖNEN, HETA _eautore |
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| 700 | 1 |
_aRAVIZZA, ELEONORA _eautore |
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| 700 | 1 |
_aRETTBERG, ANNA _eautore |
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| 700 | 1 |
_aSICKS, KAI MARCEL _eautore |
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| 700 | 1 |
_aSIMONIS, ANNETTE _eautore |
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| 700 | 1 |
_aSicks, Kai Marcel _ecuratore |
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| 700 | 1 |
_aVOGT, ROBERT _eautore |
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| 700 | 1 |
_aWÅGHÄLL NIVRE, ELISABETH _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110297102 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110297102 |
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_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110297102/original |
| 942 | _cEB | ||
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