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001			236231
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008			230228t20132013gw fo d z eng d
019			_a(OCoLC)979690010
020			_a9783110293029 _qprint
020			_a9783110316209 _qPDF
024	7		_a10.1515/9783110316209 _2doi
035			_a(DE-B1597)9783110316209
035			_a(DE-B1597)209519
035			_a(OCoLC)851970549
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPR428.T7 _bE45 2013
072		7	_aLIT004130 _2bisacsh
082	0	4	_a418.02094209031 _223
084			_aonline - DeGruyter
245	0	0	_aElizabethan Translation and Literary Culture / _ced. by Gabriela Schmidt.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2013]
264		4	_c©2013
300			_a1 online resource (393 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aPluralisierung & Autorität , _x2076-8281 ; _v36
505	0	0	_tFrontmatter -- _tAcknowledgements -- _tContents -- _tIntroduction -- _tPart I: Translation and Literary Theory -- _tElizabethan Translation – A Polyphonic Art: Reconciling the Demands of Letter and Spirit -- _tElizabethan Defences of Translation, from Rhetoric to Poetics: Harington’s and Chapman’s “Brief Apologies” -- _t“Mine own and not mine own”: The Gift of Lost Property in Translation and Theatre -- _tEnacting the Classics: Translation and Authorship in Ben Jonson’s Poetaster -- _t“All gentilmen dooe speake the courtisane”: Negotiations of the Italian Questione della lingua in William Thomas and the Florios -- _t“Ex rebus ipsis non solum ex libris”: Translating the Arts and Sciences in Elizabethan England -- _tPart II: Translation and Literary Practice -- _tThe Province of Verse: Sir Thomas More’s Twelve Rules of John Picus Earle of Mirandula -- _tTranslation, Authorship, and Gender: The Case of Jane Seager’s Divine Prophecies of the Ten Sibills -- _tTravelling Translations: Classical Literature in Mid-Sixteenth-Century England -- _tAppropriating France in Elizabethan Drama: English Translations of Robert Garnier’s Plays -- _tThe Framing of Fiammetta: Gender, Authorship, and Voice in an Elizabethan Translation of Boccaccio -- _t“Did Ariosto write it?” – (Mis)translating Women in Sir John Harington’s Version of Orlando Furioso -- _t“It is I that am the right Sancho Pansa, that can tell many tales”: Thomas Shelton’s Translation of Don Quixote (1612/1620) -- _tList of Contributors -- _tIndex of Names
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aReversing F. O. Matthiessen's famous description of translation as “an Elizabethan art”, Elizabethan literature may well be considered “an art of translation”. Amidst a climate of intense intercultural and intertextual exchange, the cultural figure of translatio studii had become a formative concept in most European vernacular writing of the period. However, due to the comparatively marginal status of English in European literary culture, it was above all translation in the literal sense that became the dominant mode of applying this concept in late 16th-century England. Translations into English were not only produced on an unprecedented scale, they also became a key site for critical debate where contemporary discussions about authorship, style, and the development of a specifically English literary identity converged. The essays in this volume set out to explore Elizabethan translation as a literary practice and as a crucial influence on English literature. They analyse the competitive balancing of voices and authorities found in these texts and examine the ways in which both translated models and English literary culture were creatively transformed in the process of appropriation.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650		0	_aLiterature _xTranslations into English _xHistory and criticism.
650		0	_aTranslating and interpreting _zGreat Britain _xHistory _y16th century.
650		4	_aElisabethanisches Zeitalter.
650		4	_aEngland.
650		4	_aNationalliteratur.
650		4	_aVolkssprache.
650		4	_aÜbersetzung.
650		7	_aLITERARY CRITICISM / European / General. _2bisacsh
653			_aElizabethan period.
653			_aEngland.
653			_aNational literature.
653			_aTranslation.
653			_aVernacular.
700	1		_aArmstrong, Guyda _eautore
700	1		_aBayerlipp, Susanne _eautore
700	1		_aBelle, Marie-Alice _eautore
700	1		_aBorge, Francisco J. _eautore
700	1		_aCummings, Robert _eautore
700	1		_aKoppenfels, Werner von _eautore
700	1		_aOberth, Iris _eautore
700	1		_aOlk, Claudia _eautore
700	1		_aScarsi, Selene _eautore
700	1		_aSchmidt, Gabriela _eautore _ecuratore
700	1		_aSerjeantson, Deirdre _eautore
700	1		_aSprang, Felix C. H. _eautore
700	1		_aTudeau-Clayton, Margaret _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110316209
856	4	0	_uhttps://www.degruyter.com/isbn/9783110316209
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110316209/original
942			_cEB
999			_c236231 _d236231