| 000 | 03978nam a22007215i 4500 | ||
|---|---|---|---|
| 001 | 236449 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501182821.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 230228t20132010gw fo d z eng d | ||
| 019 | _a(OCoLC)1013936717 | ||
| 020 |
_a9783110324372 _qprint |
||
| 020 |
_a9783110324600 _qPDF |
||
| 024 | 7 |
_a10.1515/9783110324600 _2doi |
|
| 035 | _a(DE-B1597)9783110324600 | ||
| 035 | _a(DE-B1597)211255 | ||
| 035 | _a(OCoLC)954896006 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aB3309.M24 _bA639 2010 |
|
| 072 | 7 |
_aPHI009000 _2bisacsh |
|
| 082 | 0 | 4 |
_a193 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Aesthetics of the Graz School / _ced. by Venanzio Raspa. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2013] |
|
| 264 | 4 | _c©2010 | |
| 300 | _a1 online resource (279 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aMeinong Studies / Meinong Studien , _x2198-2309 ; _v4 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tContents / Inhalt -- _tINTRODUCTION. THE FORGOTTEN AESTHETICS: THE CASE OF THE GRAZ SCHOOL -- _tMETAPHYSICS OF MEINONGIAN AESTHETIC VALUE -- _tBEAUTIFUL THINGS AND MEINONG’S OBJECT THEORY: AESTHETIC PROPERTIES IN FRONT OF US? -- _tSTEPHAN WITASEK UND DIE PSYCHOLOGISCHE ÄSTHETIK -- _tÄSTHETISCHE ERFAHRUNG UND QUASI-GEFÜHLE -- _tEHRENFELS, HÖFLER, WITASEK: ZUR MUSIKÄSTHETIK DER GRAZER SCHULE -- _tMEINONG, WITASEK, HEIDER: IST GEGENSTANDSTHEORETISCHE ÄSTHETIK MÖGLICH? -- _tAESTHETIC JUDGMENT ACCORDING TO VEBER -- _tIS THE MIGRATION OF FICTA A FICTION? -- _tSTORIES AND PICTURES -- _tBackmatter |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThis is the first volume devoted to the aesthetics of the Graz school. V. Raspa’s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. Í. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. P. Mahr asks if object-theoretical aesthetics is possible at all. M. Potrc and V. Strahovnik concentrate on Veber's aesthetic judgment. N. Dolcini deals with the migration of ficta, and F. Orilia with words and pictures in fictional stories. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aAesthetics, Austrian _zAustria _zGraz. |
|
| 650 | 0 |
_aAesthetics, Modern _y19th century. |
|
| 650 | 0 |
_aAesthetics, Modern _y20th century. |
|
| 650 | 4 | _aAlexius Meinong. | |
| 650 | 4 | _aPhilosophie. | |
| 650 | 4 | _aphilosophische Ästhetik. | |
| 650 | 7 |
_aPHILOSOPHY / History & Surveys / General. _2bisacsh |
|
| 700 | 1 |
_aAllesch, Christian G. _eautore |
|
| 700 | 1 |
_aDolcini, Nevia _eautore |
|
| 700 | 1 |
_aJacquette, Dale _eautore |
|
| 700 | 1 |
_aLanglet, Bruno _eautore |
|
| 700 | 1 |
_aMahr, Peter _eautore |
|
| 700 | 1 |
_aMartinelli, Riccardo _eautore |
|
| 700 | 1 |
_aOrilia, Francesco _eautore |
|
| 700 | 1 |
_aPotrč, Matjaž _eautore |
|
| 700 | 1 |
_aRaspa, Venanzio _eautore _ecuratore |
|
| 700 | 1 |
_aStrahovnik, Vojko _eautore |
|
| 700 | 1 |
_aVendrell Ferran, Íngrid _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110324600 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110324600 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110324600/original |
| 942 | _cEB | ||
| 999 |
_c236449 _d236449 |
||