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| 001 | 237533 | ||
| 003 | IT-RoAPU | ||
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| 008 | 230228t20142014gw fo d z eng d | ||
| 010 | _a2014034206 | ||
| 019 | _a(OCoLC)979912431 | ||
| 020 |
_a9783110373707 _qprint |
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| 020 |
_a9783110409116 _qEPUB |
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| 020 |
_a9783110368482 _qPDF |
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_a10.1515/9783110368482 _2doi |
|
| 035 | _a(DE-B1597)9783110368482 | ||
| 035 | _a(DE-B1597)429041 | ||
| 035 | _a(OCoLC)898770082 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aPS25 _b.S45 2014 |
| 050 | 4 |
_aPS25 _b.S45 2014 |
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| 072 | 7 |
_aLCO009000 _2bisacsh |
|
| 082 | 0 | 4 |
_a810.9/355 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aSedlmeier, Florian _eautore |
|
| 245 | 1 | 4 |
_aThe Postethnic Literary : _bReading Paratexts and Transpositions around 2000 / _cFlorian Sedlmeier. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2014] |
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| 264 | 4 | _c©2014 | |
| 300 | _a1 online resource (226 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aBuchreihe der Anglia / Anglia Book Series , _x0340-5435 ; _v48 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tPreface: Read, Again -- _tAcknowledgements -- _tContents -- _tIntroduction: Paratexts, Transpositions, and Postethnic Literature -- _t1. Breaching the Autobiographical Pact: Sherman Alexie and the Ethics of Reading for Form -- _t2. Copies, Lists, and Reading Publics in Chang-rae Lee’s Native Speaker -- _t3. Exhaustion, Abstraction, and the Longing for Postethnic Literary Presence in Jamaica Kincaid’s Lucy -- _tCoda. The How is the What: Constellations of the Postethnic Literary This study has explored the epistemological conditions -- _tWorks Cited -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe book explores the discursive and theoretical conditions for conceptualizing the postethnic literary. It historicizes US multicultural and postcolonial studies as institutionalized discursive formations, which constitute a paratext that regulates the reception of literary texts according to the paradigm of representativeness. Rather than following that paradigm, the study offers an alternative framework by rereading contemporary literary texts for their investment in literary form. By means of self-reflective intermedial transpositions, the writings of Sherman Alexie, Chang-rae Lee, and Jamaica Kincaid insist upon a differentiation between the representation of cultural sign systems or subject positions and the dramatization of individual gestures of authorship. As such, they form a postethnic literary constellation, further probed in the epilogue of the study focused on Dave Eggers. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aAmerican literature _xCriticism, Textual. |
|
| 650 | 0 | _aAuthorship. | |
| 650 | 0 | _aEthnic groups in literature. | |
| 650 | 0 | _aMulticulturalism in literature. | |
| 650 | 0 | _aParatext. | |
| 650 | 4 | _aAutorschaft. | |
| 650 | 4 | _aGegenwartsliteratur. | |
| 650 | 4 | _aPostkolonialismus. | |
| 650 | 7 |
_aLITERARY COLLECTIONS / English, Irish, Scottish, Welsh. _2bisacsh |
|
| 653 | _aAuthorship. | ||
| 653 | _aContemporary Literature. | ||
| 653 | _aPostcolonialism. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110368482 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110368482 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110368482/original |
| 942 | _cEB | ||
| 999 |
_c237533 _d237533 |
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