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020 _a9783110426373
_qprint
020 _a9783110422139
_qEPUB
020 _a9783110422061
_qPDF
024 7 _a10.1515/9783110422061
_2doi
035 _a(DE-B1597)9783110422061
035 _a(DE-B1597)451389
035 _a(OCoLC)1253313592
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aMUS020000
_2bisacsh
082 0 4 _a780
084 _aonline - DeGruyter
245 0 0 _aPerfect Harmony and Melting Strains :
_bTransformations of Music in Early Modern Culture between Sensibility and Abstraction /
_ced. by Wolfram R. Keller, Cornelia Wilde.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2021]
264 4 _c©2021
300 _a1 online resource (156 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTransformationen der Antike ,
_x1864-5208 ;
_v34
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction: Perfect Harmony and Melting Strains: Transformations of Music in Early Modern Culture Between Sensibility and Abstraction --
_tDisharmonic Spheres: Metapoetic Noise in Geoffrey Chaucer’s Parliament of Fowls --
_tIn Search of the Word: Speech-like Chants and Confessional Identity in Counter-Reformation Mission to England --
_tPatrizi’s and Mersenne’s Critiques of Ficino’s Interpretation of the Harmony of the Spheres --
_tDivine Harmony, Demonic Afflictions, and Bodily Humours: Two Tales of Musical Healing in Early Modern England --
_tThe Powers and Effects of Music: English Theories from the Renaissance to the Enlightenment --
_t»Cecilia’s Name does all our Numbers grace«: Musico-poetics in Joseph Addison’s St Cecilia’s Day Odes --
_tIndex of Names
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aPerfect Harmony and Melting Strains assembles interdisciplinary essays investigating concepts of harmony during a transitional period, in which the Pythagorean notion of a harmoniously ordered cosmos competed with and was transformed by new theories about sound - and new ways of conceptualizing the world. From the perspectives of philosophy, literary scholarship, and musicology, the contributions consider music's ambivalent position between mathematical abstraction and sensibility, between the metaphysics of harmony and the physics of sound. Essays examine the late medieval and early modern history of ideas concerning the nature of music and cosmic harmony, and trace their transformations in early modern musico-literary discourses. Within this framework, essays further offer original readings of important philosophical, literary, and musicological works. This interdisciplinary volume brings into focus the transformation of a predominant Renaissance worldview and of music's scientific, theological, literary, as well as cultural conceptions and functions in the early modern period, and will be of interest to scholars of the classics, philosophy, musicology, as well as literary and cultural studies.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 4 _aAntike /Rezeption.
650 4 _aHarmonia mundi.
650 4 _aMusiktheorie.
650 4 _aPythagoreismus.
650 7 _aMUSIC / History & Criticism.
_2bisacsh
653 _aPythagoreanism.
653 _aReception of anitquity.
653 _amusic theory.
700 1 _aButler, Katherine
_eautore
700 1 _aGouk, Penelope
_eautore
700 1 _aKeller, Wolfram R.
_eautore
_ecuratore
700 1 _aPrins, Jacomien
_eautore
700 1 _aSwanson, Barbara
_eautore
700 1 _aWilde, Cornelia
_eautore
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110422061
856 4 0 _uhttps://www.degruyter.com/isbn/9783110422061
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110422061/original
942 _cEB
999 _c238046
_d238046