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019 _a(OCoLC)954897982
020 _a9783110426908
_qprint
020 _a9783110423044
_qEPUB
020 _a9783110423013
_qPDF
024 7 _a10.1515/9783110423013
_2doi
035 _a(DE-B1597)9783110423013
035 _a(DE-B1597)451611
035 _a(OCoLC)908074387
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aND646
_b.H3613 2015
072 7 _aART015030
_2bisacsh
082 0 4 _81u
_a754.0949209032
_qDE-101
_222/ger
084 _aonline - DeGruyter
100 1 _aHammer-Tugendhat, Daniela
_eautore
245 1 4 _aThe Visible and the Invisible :
_bOn Seventeenth-Century Dutch Painting /
_cDaniela Hammer-Tugendhat.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2015]
264 4 _c©2015
300 _a1 online resource (340 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aEdition Angewandte ,
_x1866-248X
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tPart I. Visible becomes Invisible Gender Construction in Rembrandt’s Works --
_t1. On Female Representation or On the disappearance of male protagonists from the field of representation --
_t2. On Male Representation or On the disappearance of female protagonists from the field of representation --
_t3. Asymmetry. Gender Relations in the Field of Sexuality --
_t4. Summary --
_tPart II. Invisible becomes Visible Painting, not Mimesis --
_t1. Mirror, Mirror on the Wall … Woman before the Mirror by Frans van Mieris --
_t2. The Picture within the Picture or Conveying the world through media Woman Holding a Balance by Vermeer --
_t3. Farewell to Lessing’s Laocoon: Leaving behind a Methodological Dispute Gabriel Metsu’s A Woman Reading a Letter --
_t4. The Gender of Letters --
_t5. Affect / Emotion / Imagination --
_tLiterature --
_tllustrations
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aDie holländische Malerei des 17. Jahrhunderts reflektiert ihr Verhältnis zur sichtbaren Wirklichkeit. Sie thematisiert Ambivalenzen und Widersprüche. Als Avantgarde künstlerischer Medien trägt sie zur Herausbildung einer modernen “bürgerlichen” Subjektivität bei. Sie entlässt die Themen aus ihrer traditionellen ikonologischen Fixierung und evoziert unterschiedliche Imaginationen und Semantisierungen - Aspekte, die in der Forschung bisher kaum wahrgenommen worden sind. Das Buch versteht sich als Plädoyer für eine Kunstgeschichte als Kulturwissenschaft, die das semantische Potential von Kunst innerhalb diskursiver und sozialer zeitgenössischer Praxen untersucht und zugleich ihre Aktualität aufzeigt. Werke von Rembrandt, Metsu, Vermeer und Hoogstraten u. a. dienen als exemplarische Fallbeispiele zur Auseinandersetzung mit aktuellen kunst- und kulturwissenschaftlichen Debatten, beispielsweise zur Repräsentation von Geschlechterdifferenz, zur Text-Bild Beziehung und zum Affektdiskurs.
520 _aThe book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices. Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research. The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aArts
_xArt Theory.
650 0 _aArts
_xGenres
_xPainting.
650 0 _aArts
_xPeriods
_x16th-17th Century.
650 0 _aPainting, Dutch
_y17th century.
650 0 _aSex in art.
650 0 _aWomen in art.
650 4 _aAffekte.
650 4 _aGeschlechterbeziehung.
650 4 _aImagination.
650 4 _aKunstgeschichte.
650 4 _aaffects.
650 4 _aart history.
650 4 _agender relation.
650 4 _aimagination.
650 7 _aART / European.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110423013
856 4 0 _uhttps://www.degruyter.com/isbn/9783110423013
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110423013/original
942 _cEB
999 _c238071
_d238071