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| 003 | IT-RoAPU | ||
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| 008 | 240625t20152015gw fo d z eng d | ||
| 019 | _a(OCoLC)948656369 | ||
| 020 |
_a9783110437621 _qprint |
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_a9783110434521 _qEPUB |
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| 020 |
_a9783110436372 _qPDF |
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| 024 | 7 |
_a10.1515/9783110436372 _2doi |
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| 035 | _a(DE-B1597)9783110436372 | ||
| 035 | _a(DE-B1597)456465 | ||
| 035 | _a(OCoLC)952799910 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aHM1206 _b.B78 2016 |
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| 072 | 7 |
_aSOC000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a302.23 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBrunow, Dagmar _eautore |
|
| 245 | 1 | 0 |
_aRemediating Transcultural Memory : _bDocumentary Filmmaking as Archival Intervention / _cDagmar Brunow. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2015] |
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| 264 | 4 | _c©2015 | |
| 300 | _a1 online resource (252 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aMedia and Cultural Memory , _x1613-8961 ; _v23 |
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| 502 |
_aDissertation _cUniversität Hamburg _d2014. |
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| 505 | 0 | 0 |
_tFrontmatter -- _tAcknowledgements -- _tContents -- _t1. Introduction -- _t2. Theory -- _t3. Mediatized memories in a global age: the transcultural turn? -- _t4. Reworking the archive -- _t5. Remediation: reappropriations in digital media and in the essay film -- _t6. Conclusion – Mediated cultural memory in a digital age -- _tBibliography -- _tIndex of Names -- _tIndex of Titles -- _tIndex of Terms |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aThe impact of digital global media, geopolitical changes and migration demands new theorizations within memory studies. Despite the growing field of media memory studies, the impact from film and media studies has been scarce within memory studies. This unique study offers new theorizations of three crucial concepts for media memory studies: remediation, transculturality and the archive. This book takes a closer look at the media specificity of archival footage and how it is adapted, translated and appropriated. In its original approach this work reflects upon the role of documentary film images for the construction of memory. By merging film and media studies with memory studies the work offers multiple theoretical and methodological approaches for everyone interested in the heritage of audiovisual media: film and media scholars, memory scholars, historians, art historians, social scientists, librarians or archivists, curators and festival programmers alike. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aCollective memory. | |
| 650 | 0 |
_aDocumentary films _xSocial aspects. |
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| 650 | 0 | _aMass media and culture. | |
| 650 | 0 |
_aMass media _xSocial aspects. |
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| 650 | 7 |
_aSOCIAL SCIENCE / General. _2bisacsh |
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| 653 | _aTranscultural memory. | ||
| 653 | _aarchive. | ||
| 653 | _afilm. | ||
| 653 | _aremediation. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110436372 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110436372 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110436372/original |
| 942 | _cEB | ||
| 999 |
_c238272 _d238272 |
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