000			04695nam a2200745 454500
001			238564
003			IT-RoAPU
005			20250106151322.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20162016gw fo d z eng d
019			_a(OCoLC)945767475
020			_a9783110457957 _qprint
020			_a9783110460469 _qEPUB
020			_a9783110460933 _qPDF
024	7		_a10.1515/9783110460933 _2doi
035			_a(DE-B1597)9783110460933
035			_a(DE-B1597)461748
035			_a(OCoLC)954879710
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML3849 _b.B35 2016
072		7	_aSOC000000 _2bisacsh
082	0	4	_a830.9/3578 _223
084			_aonline - DeGruyter
100	1		_aBen-Horin, Michal _eautore
245	1	0	_aMusical Biographies : _bThe Music of Memory in Post-1945 German Literature / _cMichal Ben-Horin.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2016]
264		4	_c©2016
300			_a1 online resource (VIII, 173 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aInterdisciplinary German Cultural Studies , _x1861-8030 ; _v20
505	0	0	_tFrontmatter -- _tAcknowledgments -- _tContents -- _tOverture. German Catastrophe and the Rebirth of Musical Biography -- _t1. Thomas Mann: Dissonance as a Mode of Documentation -- _tInterlude I. Siegfried: Atonality and Decentralized Narrative -- _t2. Günter Grass: Rhythms of a Fictitious Testimony -- _tInterlude II. Clown: Ironic Tune between Memory and Oblivion -- _t3. Ingeborg Bachmann: The Resonance of Trauma -- _tInterlude III. Pianist: Austria from a Musician’s Perspective -- _t4. Thomas Bernhard: Writing, Playing, and the Compulsion to Repeat -- _tInterlude IV. Composer: Sound Transfiguration after Reunification -- _tCoda. The End of Musical Biography? -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aSince the second half of the twentieth century various routes, including history and literature, are offered in dealing with the catastrophe of World War II and the Holocaust. Historiographies and novels are of course written with words; how can they bear witness to and reverberate with traumatic experience that escapes or resists language? In search for an alternative mode of expression and representation, this volume focuses on postwar German and Austrian writers who made use of music in their exploration of the National Socialist past. Their works invoke, however, new questions: What happens when we cross the line between narration and documentation, and between memory and a musical piece? How does identification and fascination affect our reading of the text? What kind of ethical issues do these testimonies raise? As this volume shows, reading these musical biographies is both troubling and compelling since they ‘fail’ to come to terms with the past. In playing the haunting music that does not let us put the matter to rest, they call into question not only the exclusion of personal stories by official narratives, but also challenge writers’ and readers’ most intimate perspectives on an unmasterable past.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aGerman fiction _xHistory and criticism _x20th century.
650		0	_aGerman fiction _y20th century _xHistory and criticism.
650		0	_aMemory in literature.
650		0	_aMusic and literature _xHistory _x20th century _xAustria.
650		0	_aMusic and literature _xHistory _x20th century _xGermany.
650		0	_aMusic and literature _zAustria _xHistory _y20th century.
650		0	_aMusic and literature _zGermany _xHistory _y20th century.
650		0	_aMusic in literature _xAustria _xGermany _xCriticism, interpretation, etc _xHistory.
650		0	_aMusic in literature.
650		4	_aErzählwissenschaft.
650		4	_aHolocaust.
650		4	_aKultur / Deutschland.
650		4	_aMusikalische Poetik.
650		7	_aSOCIAL SCIENCE / General. _2bisacsh
653			_aGerman culture.
653			_aHolocaust.
653			_aMusical Poetics.
653			_anarrative.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110460933
856	4	0	_uhttps://www.degruyter.com/isbn/9783110460933
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110460933/original
942			_cEB
999			_c238564 _d238564