000			05541nam a2200865 454500
001			238729
003			IT-RoAPU
005			20250106151325.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			240625t20162016gw fo d z eng d
010			_a2016024343
019			_a(OCoLC)951526214
020			_a9783110464320 _qprint
020			_a9783110472257 _qEPUB
020			_a9783110472752 _qPDF
024	7		_a10.1515/9783110472752 _2doi
035			_a(DE-B1597)9783110472752
035			_a(DE-B1597)463492
035			_a(OCoLC)958371534
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aP96.N35 _bA93 2016
072		7	_aLIT000000 _2bisacsh
082	0	4	_a400 _qOCoLC
084			_aonline - DeGruyter
245	0	0	_aAudionarratology : _bInterfaces of Sound and Narrative / _ced. by Till Kinzel, Jarmila Mildorf.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2016]
264		4	_c©2016
300			_a1 online resource (VIII, 267 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aNarratologia : Contributions to Narrative Theory , _x1612-8427 ; _v52
505	0	0	_tFrontmatter -- _tPreface and Acknowledgments -- _tTable of Contents -- _tAudionarratology: Prolegomena to a Research Paradigm Exploring Sound and Narrative -- _tMusic and Storytelling -- _tMusic in Multimodal Narratives: The Role of the Soundtrack in Digital Stories -- _tStaging the Ghost Blend in Two Versions of the Ballad “Big Joe and Phantom 309” -- _t“Put the Heart Into it!”: Narrative in Country Music and the Blues -- _tAnimae Partus: Conceptual Mythopoeisis, Progressive Rock, and the Many Voices of Pain of Salvation’s BE -- _tSound Art -- _tA Narratology of Audio Art: Telling Stories by Sound -- _tA Narratology of Radio Drama: Voice, Perspective, Space -- _tVoice and Sound in the Anti-Narrative Radio Play -- _tDisappearing Sounds: Poetry, Noise and Narrative -- _tAural Energies in Rimini Protokoll’s Call Cutta: Sound, Documentary, Performance and Narratological Aspects of “The World’s First Mobile Phone Theatre” -- _tSound, Narrative and Immersion -- _tHearing Storyworlds: How Video Games Use Sound to Convey Narrative -- _tVoicing the Split Narrator: Readers’ Chores in Toni Morrison’s “Recitatif” -- _tAudiobooks and Print Narrative: Similarities in Text Experience -- _tPictures into Sound: Aural World-Making in Art Gallery Audio Guides -- _tNotes on Contributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAudionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aAudio-visual materials.
650		0	_aDiscourse analysis, Narrative.
650		0	_aNarration (Rhetoric)
650		0	_aNarration (Rhetoric).
650		0	_aStorytelling in mass media.
650		4	_aKlanglandschaft.
650		4	_aNarrative Theorie.
650		4	_aRadiohörspiel.
650		4	_aTransmedialität.
650		7	_aLITERARY CRITICISM / General. _2bisacsh
653			_aRadio plays.
653			_anarrative theory.
653			_asoundscapes.
653			_atransmediality.
700	1		_aBernaerts, Lars _eautore
700	1		_aDelazari, Ivan _eautore
700	1		_aDomsch, Sebastian _eautore
700	1		_aFestjens, Thijs _eautore
700	1		_aHuwiler, Elke _eautore
700	1		_aKinzel, Till _eautore _ecuratore
700	1		_aKuzmičová, Anežka _eautore
700	1		_aLutostański, Bartosz _eautore
700	1		_aMartínez, M. Ángeles _eautore
700	1		_aMildorf, Jarmila _eautore _ecuratore
700	1		_aPalmer, Alan _eautore
700	1		_aRequejo, M. Dolores Porto _eautore
700	1		_aSkoulding, Zoë _eautore
700	1		_aWierschem, Markus _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110472752
856	4	0	_uhttps://www.degruyter.com/isbn/9783110472752
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110472752/original
942			_cEB
999			_c238729 _d238729