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| 003 | IT-RoAPU | ||
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_a10.1515/9783110491258 _2doi |
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| 035 | _a(DE-B1597)9783110491258 | ||
| 035 | _a(DE-B1597)469181 | ||
| 035 | _a(OCoLC)1042077377 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aN7480 _b.P648 2019 |
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| 072 | 7 |
_aART015000 _2bisacsh |
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| 082 | 0 | 4 |
_a700.9 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aMigrating Histories of Art : _bSelf-Translations of a Discipline / _ced. by Maria Teresa Costa, Hans Christian Hönes. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2018] |
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| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (232 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aStudien aus dem Warburg-Haus , _x2192-0079 ; _v19 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tLost in Translation -- _tSelf-Translation – Translation of the Self -- _tSelf-Translation and Its Discontents -- _tFeminine Inscriptions in the Morellian Method -- _tAby Warburg’s Literal and Intermedial Self-Translation -- _tEdgar Wind’s Self-Translations -- _tAmerican Panofsky -- _tFrederick Antal or a Connoisseur Turned Social Historian of Art -- _tStrangers in a Foreign Language -- _t‘Always living in a foreign tongue ...’ -- _tTranslating Art History, Transmitting Humanitas -- _tSeductive Foreignness -- _tIdentity, Voice and Translation in the Life and Work of Leon Vilaincour -- _tNotes -- _tIndex -- _tPicture Credits -- _tAcknowledgments -- _tA note on the cover illustration |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aArt historians have been facing the challenge – even from before the advent of globalization – of writing for an international audience and translating their own work into a foreign language – whether forced by exile, voluntary migration, or simply in order to reach wider audiences. Migrating Histories of Art aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 |
_aArt _xHistoriography. |
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| 650 | 0 | _aCommunication in learning and scholarship. | |
| 650 | 0 | _aSelf-translation. | |
| 650 | 7 |
_aART / History / General. _2bisacsh |
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| 700 | 1 |
_aCooke, Jennifer _eautore |
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| 700 | 1 |
_aCosta, Maria Teresa _eautore _ecuratore |
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| 700 | 1 |
_aDogramaci, Burcu _eautore |
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| 700 | 1 |
_aFleckner, Uwe _eautore |
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| 700 | 1 |
_aHu, Mingyuan _eautore |
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| 700 | 1 |
_aHönes, Hans Christian _eautore _ecuratore |
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| 700 | 1 |
_aLavin, Irving _eautore |
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| 700 | 1 |
_aSandino, Linda _eautore |
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| 700 | 1 |
_aTargia, Giovanna _eautore |
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| 700 | 1 |
_aVentrella, Francesco _eautore |
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| 700 | 1 |
_aWeigel, Sigrid _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110491258 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110491258 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110491258/original |
| 942 | _cEB | ||
| 999 |
_c239025 _d239025 |
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