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008			240625t20172017gw fo d z eng d
020			_a9783110526882 _qprint
020			_a9783110527032 _qEPUB
020			_a9783110527834 _qPDF
024	7		_a10.1515/9783110527834 _2doi
035			_a(DE-B1597)9783110527834
035			_a(DE-B1597)474867
035			_a(OCoLC)987933975
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aAY19.C53
072		7	_aLIT025000 _2bisacsh
082	0	4	_a032.02 _223
084			_aonline - DeGruyter
245	0	0	_aInternational Yearbook of Futurism Studies. _nVolume 7, _p2017 / _ced. by Mariana Aguirre, Rosa Sarabia, Renée M. Silverman, Ricardo Vasconcelos.
264		1	_aBerlin ; _aBoston : _bDe Gruyter, _c[2017]
264		4	_c©2017
300			_a1 online resource (XLII, 528 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aInternational Yearbook of Futurism Studies ; _vVolume 7
505	0	0	_tFrontmatter -- _tContents -- _tEditorial -- _tEditors′ Preface -- _tSection 1: Futurism in Latin America -- _tEstridentismo and Sonido Trece: The Avant-garde in Post-Revolutionary Mexico -- _tIndigenismo and Futurism in Latin America: José Carlos Mariátegui and the Peruvian Avant-garde -- _tFuturist Confrontations and Other Modes of Registering Modernity: Buenos Aires, 1924–1926 -- _tVida-Americana: An Intercontinental Avantgarde Magazine -- _tWet Gunpowder: Anarchism and Futurism Meet in Montevideo -- _tMartial Arts in Argentina: Futurism, Fascism and Leopoldo Lugones -- _tThe Perverse Looks and Sounds of Caribbean Vanguards: Futurism in Cuba, Puerto Rico and the Dominican Republic -- _tVicente Huidobro and William Carlos Williams: Hemispheric Connections, or How to Create Things with Words -- _tFuturism and Cubism in the Early Poetics of Mexican Estridentismo and Brazilian Modernismo -- _tFuturist Manifestos and Programmatic Texts of Brazilian Modernism -- _tA Cultural Icon of Ill-Repute: Marinetti and Brazilian Antifascism -- _tFuturism, Heroic Love and Fascism: Marinetti Interviewed by Flávio de Carvalho in São Paulo in 1936 -- _tBetween Letters and Memoirs: Behind the Scenes of Futurism in Brazil -- _tHeavenly Heights, or Reign of the Dangerous Classes? F. T. Marinetti’s Visit to the Morro da Favela (1926) -- _tSection 2: Country Reports -- _tThe Estridentista Movement in Mexico: A Poetics of the Ephemeral -- _tSection 3: Archive Reports -- _tThe Ibero-American Institute in Berlin -- _tThe Papers of Joaquín Torres-García and Rafael Barradas in the Museo Nacional Centro de Arte Reina Sofía and the Residencia de Estudiantes -- _tSection 4: Caricatures and Satires of Futurism -- _tSketching Futurism: Güiraldes, Marinetti and Buenos Aires (1926) -- _tMarinetti in the Satirical Magazine Caras y caretas (Buenos Aires) -- _tEmilio Pettoruti in Buenos Aires, 1924–1926 -- _tCaricature as Strategy: An Estridentista Group Portrait -- _tRamón Alva de la Canal’s Caricature of Diego Rivera’s Address to the Nation -- _tA Requiem on Futurism by Lauro Montanari in 1926 -- _tA Brazilian Cartoon about Marinetti’s Visit to a Favela in 1926 -- _tA Futurist Train Derailed in Brazil -- _tSection 5: Reviews -- _tThe (R)Evolution of Modern Italian Painting: Divisionism and its Influence on the Futurist Avant-garde -- _t“Man Wanted”: An Exhibition on Zenitism in Gallery O3ONE, Belgrade -- _tStridentism Revisited? -- _tUkrainian Futurism: A New Anthology of Writings by Mykhail′ Semenko -- _tNew Publications on Futurist Architecture -- _tFuturism and the ‘New’ Woman in Italy -- _tSection 6: Bibliography -- _tA. Bibliography of Publications on Futurism, 2014–2016 -- _tSection 7: Back Matter -- _tList of Illustrations and Provenance Description -- _tNotes on Contributors -- _tName Index -- _tSubject Index -- _tGeographical index
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFuturism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650		0	_aFuturism (Art) _xHistory.
650		0	_aFuturism (Art) _xLatin America.
650		0	_aFuturism (Art) _zLatin America.
650		0	_aFuturism (Literary movement) _xHistory.
650		0	_aFuturism (Literary movement) _xLatin America _xLatin America _xHistory.
650		0	_aFuturism (Literary movement) _zLatin America.
650		0	_aYearbooks.
650		4	_aAvantgarde.
650		4	_aFuturism.
650		7	_aLITERARY CRITICISM / Subjects & Themes / General . _2bisacsh
653			_aFuturism, Avant-garde.
700	1		_aAbreu, Mirhiane Mendes de _eautore
700	1		_aAguirre, Mariana _eautore _ecuratore
700	1		_aAustria, Ramiro Armas _eautore
700	1		_aBerghaus, Günter _eautore
700	1		_aBortulucce, Vanessa Beatriz _eautore
700	1		_aChytraeus-Auerbach, Irene _eautore
700	1		_aCisneros, Odile _eautore
700	1		_aD’Ambrosio, Matteo _eautore
700	1		_aEhrlicher, Hanno _eautore
700	1		_aFabris, Annateresa _eautore
700	1		_aGardini, Ashley _eautore
700	1		_aGriffiths, Jennifer _eautore
700	1		_aHanstein, Lisa _eautore
700	1		_aIlnytzkyj, Oleh S. _eautore
700	1		_aKlich, Lynda _eautore
700	1		_aLee, Sze Wah _eautore
700	1		_aMattos, Romulo Costa _eautore
700	1		_aMeazzi, Barbara _eautore
700	1		_aMontenegro, Giovanna _eautore
700	1		_aMontgomery, Harper _eautore
700	1		_aMoreschi, Marcelo _eautore
700	1		_aMühlschlegel, Ulrike _eautore
700	1		_aRashkin, Elissa J. _eautore
700	1		_aRead, Justin _eautore
700	1		_aSalas, Claudio Palomares _eautore
700	1		_aSarabia, Rosa _eautore _ecuratore
700	1		_aSegoviano, Carlos _eautore
700	1		_aSilverman, Renée M. _eautore _ecuratore
700	1		_aSubotić, Irina _eautore
700	1		_aSánchez, María Porras _eautore
700	1		_aSánchez-Pardo, Esther _eautore
700	1		_aVasconcelos, Ricardo _eautore _ecuratore
700	1		_aVidal, Daniel _eautore
700	1		_aZaramella, Enea _eautore
700	1		_aZurián, Carla _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9783110527834
856	4	0	_uhttps://www.degruyter.com/isbn/9783110527834
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110527834/original
942			_cEB
999			_c239716 _d239716