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| 035 | _a(DE-B1597)488606 | ||
| 035 | _a(OCoLC)1028583833 | ||
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_a880.9/353 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aGaze, Vision, and Visuality in Ancient Greek Literature / _ced. by Anna Novokhatko, Alexandros Kampakoglou. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (509 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aTrends in Classics - Supplementary Volumes , _x1868-4785 ; _v54 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tForeword -- _tContents -- _tList of Images -- _tIntroduction -- _tSection I: Epic and Lyric Poetry -- _tWar as a spectacle -- _tThe Eyes of Odysseus. Gaze, Desire and Control in the Odyssey -- _tBlindness and Blinding in the Homeric Odyssey -- _tApollonius Rhodius Argonautica 4 and the epic gaze: There and back again -- _tGazing at heroes in Apollonius’ Argonautica -- _tGazing at Helen with Stesichorus -- _tSection II: Drama -- _tSeeing the invisible: Interior Spaces and Uncanny Erinyes in Aeschylus’ Oresteia -- _tVisual Intertextuality in Ancient Greek Drama: Euripides’ Bacchae and the Use of the Art Media -- _t“You must not stand in one place”: seeing in Sicilian and Old Attic Comedy -- _tVisual and non-visual uses of demonstratives with the deictic ι in Greek Comedy -- _tSection III: Rhetoric, Historiography, and Philosophy -- _tReimagining Helen of Troy: Gorgias and Isocrates on Seeing and Being Seen -- _tMetahistory and the visual in Herodotus and Thucydides -- _tDealing with the Invisible – War in Procopius -- _tBeing or Appearing Virtuous? The Challenges of Leadership in Xenophon’s Cyropaedia -- _tThe Aesthetics of Vision in Plato’s Phaedo and Timaeus -- _tSection IV: Literary Texts meeting other Media -- _tA Picture of Ecphrasis: The Younger Philostratus and the Homeric Shield of Achilles -- _tUndressing For Artemis: Sensory Approaches to Clothes Dedications in Hellenistic Epigram and in the Cult Of Artemis Brauronia -- _tViewing and Identification: The Agency of the Viewer in Archaic and Early Classical Greek Visual Culture -- _tList of Contributors -- _tSubject Index -- _tAuthor Index |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aVisual culture, performance and spectacle lay at the heart of all aspects of ancient Greek daily routine, such as court and assembly, cult and ritual, and art and culture. Seeing was considered the most secure means of obtaining knowledge, with many citing the etymological connection between ‘seeing’ and ‘knowing’ in ancient Greek as evidence for this. Seeing was also however often associated with mere appearances, false perception and deception. Gazing and visuality in the ancient Greek world have had a central place in the scholarship for some time now, enjoying an abundance of pertinent discussions and bibliography. If this book differs from the previous publications, it is in its emphasis on diverse genres: the concepts ‘gaze’, ‘vision’ and ‘visuality’ are considered across different Greek genres and media. The recipients of ancient Greek literature (both oral and written) were encouraged to perceive the narrated scenes as spectacles and to ‘follow the gaze’ of the characters in the narrative. By setting a broad time span, the evolution of visual culture in Greece is tracked, while also addressing broader topics such as theories of vision, the prominence of visuality in specific time periods, and the position of visuality in a hierarchisation of the senses. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | _aGaze in literature. | |
| 650 | 0 |
_aGreek literature _xHistory and criticism. |
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| 650 | 0 | _aVision in literature. | |
| 650 | 4 | _aPerformance. | |
| 650 | 4 | _aVision. | |
| 650 | 4 | _aVisualität. | |
| 650 | 7 |
_aLITERARY CRITICISM / Ancient & Classical. _2bisacsh |
|
| 653 | _aAncient Greek gaze. | ||
| 653 | _aperformance. | ||
| 653 | _avision. | ||
| 653 | _avisuality. | ||
| 700 | 1 |
_aBakola, Emmanuela _eautore |
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| 700 | 1 |
_aFinglass, P. J. _eautore |
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| 700 | 1 |
_aGrethlein, Jonas _eautore |
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| 700 | 1 |
_aHarman, Rosie _eautore |
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| 700 | 1 |
_aHaskins, Ekaterina Chugaeva _eautore |
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| 700 | 1 |
_aKampakoglou, Alexandros _eautore _ecuratore |
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| 700 | 1 |
_aLamari, Anna _eautore |
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| 700 | 1 |
_aLovatt, Helen _eautore |
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| 700 | 1 |
_aLétoublon, Françoise _eautore |
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| 700 | 1 |
_aMaier, Felix K. _eautore |
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| 700 | 1 |
_aMichel, Claudia _eautore |
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| 700 | 1 |
_aNightingale, Andrea _eautore |
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| 700 | 1 |
_aNovokhatko, Anna _eautore _ecuratore |
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| 700 | 1 |
_aOrth, Christian _eautore |
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| 700 | 1 |
_aPetsalis-Diomidis, Alexia _eautore |
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| 700 | 1 |
_aSquire, Michael _eautore |
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| 700 | 1 |
_aTamiolaki, Melina _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110571288 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110571288 |
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_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110571288/original |
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