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008 230228t20202020gw fo d z eng d
020 _a9783110563665
_qprint
020 _a9783110583809
_qEPUB
020 _a9783110585520
_qPDF
024 7 _a10.1515/9783110585520
_2doi
035 _a(DE-B1597)9783110585520
035 _a(DE-B1597)490613
035 _a(OCoLC)1193128833
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015060
_2bisacsh
084 _aonline - DeGruyter
100 1 _aSkovmøller, Amalie
_eautore
245 1 0 _aFacing the Colours of Roman Portraiture :
_bExploring the Materiality of Ancient Polychrome Forms /
_cAmalie Skovmøller.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2020]
264 4 _c©2020
300 _a1 online resource (XI, 361 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aImage & Context ,
_x1868-4777 ;
_v19
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tPrologue: From Reuterswärd to Bunte Götter --
_tIntroduction --
_tPart 1: Painting the Portrait Body --
_tIntroduction --
_tChapter 1: Marble Portraits from the Room of Fundilia --
_tChapter 2: Sculpting and Painting the Fundilia Portraits --
_tChapter 3: Marble and Textiles – Pigments and Dyes --
_tPart 2: Painting the Portrait Head and Face --
_tIntroduction --
_tChapter 4: Polychrome High-Gloss Polished Portraits from the Early Third Century CE --
_tChapter 5: Reconstructing the Painted Portrait of a Roman Youth --
_tChapter 6: Painting White Marble Skin --
_tChapter 7: Painting Replicas --
_tPart 3: Painted Marble Portraits in Context --
_tIntroduction --
_tChapter 8: Colours in Context --
_tChapter 9: Roman Sculptural Polychromy --
_tEpilogue: Colour. And Now What? --
_tAppendix --
_tResearch Strategies and Methodologies --
_tCatalogue --
_tNotes --
_tBibliography --
_tList Of Figures --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe fact that most ancient marble portraits were once intentionally polychrome has always been lurking at the corners of art historical and archaeological research. Despite the fact, that the colours of the sculpted forms completed, enhanced and even extended the plastic shapes, the topic has not been devoted much dedicated attention. This book represents the first full-length academic monograph which explores the original polychromy of Roman white marble portraiture. It presents results from scientific analysis of portraits in statuary and bust formats dating to the first three centuries CE. The book also explores the cultural and social significance of colours in their original contexts, and how the immaterial affects of the polychrome, three-dimensional images can be integrated into the traditional research into ancient portraiture, which has tended to place overwhelming emphasis on iconography, typology and biography. By doing so the ancient sculpted marble form, as we know it, will be exposed and confronted, and the impact of manipulated material effects, that were meant to evoke a broad range of multisensory experiences, will be emphasized. The book puts forth a new way of analysis to be tested and developed in the future.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aMarble sculpture, Roman.
650 0 _aPolychromy.
650 0 _aPortrait sculpture, Roman.
650 0 _aSymbolism of colors
_zRome.
650 4 _aAntike / Marmor.
650 4 _aPolychromie.
650 4 _aRömisches Porträt.
650 4 _aSkulptur.
650 7 _aART / History / Ancient & Classical.
_2bisacsh
653 _aRoman portraiture.
653 _aancient marble.
653 _apolychromy.
653 _asculpture.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110585520
856 4 0 _uhttps://www.degruyter.com/isbn/9783110585520
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110585520/original
942 _cEB
999 _c240493
_d240493