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020 _a9783110605112
_qprint
020 _a9783110611298
_qEPUB
020 _a9783110612110
_qPDF
024 7 _a10.1515/9783110612110
_2doi
035 _a(DE-B1597)9783110612110
035 _a(DE-B1597)498057
035 _a(OCoLC)1232277777
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aSOC052000
_2bisacsh
082 0 4 _85p
_a791.436
_qDE-101
084 _aonline - DeGruyter
100 1 _aGrotkopp, Matthias
_eautore
245 1 0 _aCinematic Poetics of Guilt :
_bAudiovisual Accusation as a Mode of Commonality /
_cMatthias Grotkopp.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2021]
264 4 _c©2021
300 _a1 online resource (VIII, 257 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aCinepoetics – English edition ,
_x2569-4294 ;
_v9
505 0 0 _tFrontmatter --
_tAuthor’s Note --
_tContents --
_tIntroduction --
_tPart 1: Theoretical Positions --
_t1 Feeling and Morality in the Cinema --
_tPart 2: Affective Dramaturgies of the Sense of Guilt --
_t2 The Present: German Post-War Cinema and Guilt Reorganized --
_t3 The Past: Hollywood Genre Poetics --
_t4 The Future: Global Responsibility and the Rhetoric of Climate Change --
_t5 Conclusion: The Cinema’s Guilty Conscience --
_tBibliography --
_tFilmography --
_tName Index --
_tFilm Index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHow do the temporal and dynamic patterns of media forms and practices create complex constructions of meaning, identity and value? How can we describe the way cinematic images generate and transform the affectively grounded structures that survey, confirm or revise a political community’s horizon of values? Using the exemplary case of feelings of guilt, the author develops an approach that makes patterns of audiovisual compositions intelligible as aesthetic modulations of moral feelings. A sense of guilt is presented here as neither an individualistic psychological emotion nor an external social mechanism of control but as a paradigmatic case for understanding politics and history as based upon embodied affectivity and shared relations to the world. By taking three distinct examples – German Post-War cinema, Hollywood Western and films on climate change – patterns of audiovisual composition and the inherent calculation of affect are analyzed as practices shaping the conditions of possibility of political communities and their historicity.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aGuilt in motion pictures.
650 0 _aGuilt.
650 0 _aMotion pictures
_xMoral and ethical aspects.
650 0 _aMotion pictures
_xSetting and scenery.
650 7 _aSOCIAL SCIENCE / Media Studies.
_2bisacsh
653 _aSense of guilt.
653 _aaudiovisual rhetorics.
653 _acinematic feelings.
653 _apoetics of affect.
700 1 _aHendrickson, Daniel
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110612110
856 4 0 _uhttps://www.degruyter.com/isbn/9783110612110
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110612110/original
942 _cEB
999 _c240877
_d240877